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Showing posts with label Modoc War. Show all posts
Showing posts with label Modoc War. Show all posts

Friday, November 25, 2016

Modoc Chief Kintpuash (Captain Jack): A California Indian Hero


Modoc Chief Kintpuash (“Captain Jack”) in 1864
Creative Commons 
As Native American Heritage Month draws to a close, so, too, do our related exhibitions, Sensational Portrayals of the Modoc War, 1872–73 and Native Portraits: Contemporary Tintypes by Ed Drew. The Modoc War connects these two shows: one features the intense interest the war created throughout the United States and the other displays contemporary portraits of native peoples of the Klamath region—some of them descendants of those who fought in the war.

This blog post commemorates a hero of the Modoc War, Kintpuash, known as Captain Jack (1837–1873). In 1872–73, this Modoc resistance leader led his people from the confines of the Klamath Indian Reservation back to their homeland to fight for the right to live as free people on their ancestral land in the Tule Lake area of northern California.


Klamath Indian Reservation, 1879
US Bureau of Reclamation, Klamath Basin Office

The Klamath Indian Reservation had its beginnings in the Treaty of 1864, in which the Klamath, Modoc, and Yahooskin peoples agreed to live together as what was referred to as the “Klamath Tribe” on a reservation in the Klamath Basin of southern Oregon. In exchange for their land—almost 20 million acres—they would be provided necessary provisions on land about one-tenth the size.


Klamath and Modoc Territories and Subgroups in the 19th Century with Modern Town Locations
Courtesy College of the Siskiyous

In the annals of the militarization of the West in the nineteenth century, many promises were made by the federal government, and many were not honored. For one band of Modoc Indians living in the Klamath Reservation the arrangement became untenable.

After a number of years without help and provisions, and under the leadership of Kintpuash with Jim Schonchin, a small group of Modoc men and their families left the reservation and returned to their ancestral lands in today’s Lava Beds National Monument in northern California. Federal troops attempted to push them back to the reservation. As Indian Commissioner Thomas J. Morgan, acknowledged about the government’s long-standing policy, “The Indians must conform to ‘the white man’s ways,’ peaceably if they will, forcibly if they must.” But the Modocs refused to abandon their homeland.

Louis H. Heller, Modoc Leaders Jim Schonchin and Captain Jack, 1873
California Historical Society

Louis H. Heller, Captain Jack’s Family, 1873
California Historical Society

War erupted in November 1872 between the Modocs—about 55 men and their families—and the United States Army. The volcanic landscape of the 47,000-acre lava beds (called the Land of Burnt Out Fires), with its nearly 700 caves, became a natural fortress that the Modocs reinforced to give them an upper hand in battles.



Eadweard Muybridge, The Lava Beds, 1872–73
California Historical Society

In January 1873, as U.S. troops from Fort Vancouver and Fort Klamath pressed the first major assault on Captain Jack’s Stronghold (the Modoc fortress), fog rolled in from nearby Tule Lake, blinding the soldiers as they inched across the rocky terrain. The Modocs moved unseen through lava tubes, killing or wounding dozens of soldiers from below while suffering no casualties of their own.

For about six months, the Modocs successfully fought off U.S. troops, capturing the attention and imagination of people across the country, many of whom were sympathetic to the Modocs for humanitarian reasons.

Captain Jack himself became somewhat of a folk hero. He was then “a man of 30 years of age, a man of square mold, 5 feet, 10 inches in height—a royal-blooded man of more than common heritage,” observed Col. Alfred B. Meacham of the Bureau of Indian Affairs.

According to the May 30, 1873, issue of the New York Times, “Each mail brings also to camp an extensive correspondence for Capt. Jack . . . . One wishes Jack to come there and scalp the fellow who wants to win his girl away from him, another assures him he will get plenty of volunteers if he comes to his village, still again he is congratulated on his heroism and told to go on and conquer.”

But the adulation was short-lived. On April 11, 1873, the Army and Modocs held a peace commission. In his bid for a settlement, Captain Jack requested a reservation of 6 square miles on the lava beds. Indians could live there, he reasoned, white men couldn’t. When it became clear that the two sides would not come to terms, Captain Jack opened fire and a battle ensued, resulting in the deaths of General Edward R. S. Canby—the only U.S. general lost in an Indian conflict—and Reverend Eleazer Thomas.

With the tide now turned against the Modocs, the government renewed its attempts to drive the Modocs out of the lava beds. Joined by 70 Warm Springs Indian scouts, 675 U.S. soldiers with four batteries of artillery besieged Captain Jack’s Stronghold for two days, but as few as eight Modoc men continued to fend them off.



Eadweard Muybridge, Warm Springs Indian Scouts in Camp, 1872–73
California Historical Society

Add captioEadweard Muybridge, The Modoc Stronghold after Its Capture, 1872–73
California Historical Society

 
The Modocs were nevertheless driven from their advantageous position. A loss of morale led several men to desert Captain Jack and help the forces hunting him. It was not until the first of June, a remarkable six months after the conflict began, that Captain Jack and his closest allies finally surrendered. They were brought to Fort Klamath, where they were sentenced to death for the murders of General Canby and Reverend Thomas.

Fort Klamath Graves of Boston Charley, Black Jim, John [Schonchin] Schonchiss, and Captain Jack, Executed October 3, 1873
Courtesy Huntington Library, San Marino, California


Shelly Kale
Publications and Strategic Projects Manager


Sources
Boyd Cothran, Remembering the Modoc War: Redemptive Violence and the Making of American Innocence (Chapel Hill: The University of North Carolina Press)
Cheewa James, The Tribe That Wouldn’t Die (Happy Camp, CA: Naturegraph Publishers, 2008)
The Oregon Experience: The Modoc War, documentary, Oregon Public Broadcasting and the Oregon Historical Society; http://www.californiaindianeducation.org/famous_indian_chiefs/captain_jack/  
Jeff C. Riddle, The Indian History of the Modoc War; http://www.archive.org/details/indianhistoryofm00riddrich
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Closing Soon!




Wednesday, October 12, 2016

For Native Americans, History, Like a River, Runs Deep

Contemporary Modoc Memorial, Lava Beds National Monument, 2016
Photo courtesy Alison Moore
The landscape of northern California’s Lava Beds National Monument is stark, arid, beautiful, and complex, befitting both its geologic and human history. Consisting of over 30 separate lava flows—some as old as 2 million years—the rugged area includes great lava fields, lava tube caves, cinder cones, fumaroles, and pit craters. Hiking, even on designated trails, can be a challenge. Jagged basaltic outcroppings can make it difficult to find a footing amidst the cratered terrain.

Lava Beds National Monument, 2016
Photo courtesy Alison Moore
The landscape that trips up modern hikers is also the ancestral territory of the Modoc people, and remains a sacred place for the tribe. During the Modoc War of 1872–73 the most challenging area of this landscape provided haven to a group of Modoc Indians engaged in battle with federal troops. Captain Jack’s Stronghold, one designated area of the monument, is the site of deep natural depressions, rock walls, and lava caves that became temporary homes for about 60 Modoc men and their families seeking escape from the troops during the five-month standoff.
 
Captain Jack’s Cave, Lava Beds National Monument, 2016
Photo courtesy Alison Moore
In a situation reminiscent of countless tragic clashes between native peoples and encroaching settlers, the Modocs, led by Kintpuash, also known as Captain Jack, returned to their homeland on the shores of Tule Lake after living nearly a decade on a reservation in southern Oregon. In 1872 the government attempted to push them back to the reservation, and when the Modocs refused, the opening battle of the Modoc War ensued. The war came to a bitter end in the spring of 1873 after negotiations between a peace commission and the Modocs failed and a well-known Civil War general, E. S. Canby, was killed, the only general to be killed in the so-called Indian Wars.
Louis H. Heller (Photographer), Captain Jack, 1873
California Historical Society 

Canby’s Cross, Lava Beds National Monument, 2016
Photo courtesy Alison Moore

Ultimately all of those who had escaped capture among the lava beds were arrested, and the leaders, Captain Jack included, were put to death in October of 1873. Years of treaties signed and treaties abrogated leading up to Canby’s murder led to the circumstances that found native peoples strangers in their own lands.
Eadweard Muybridge (Photographer), The Modoc Stronghold after Its Capture, Lava Beds National Monument, 1873
California Historical Society
Recent events in North Dakota near the reservation of the Standing Rock Sioux Tribe mirror the human history at Lava Beds. In a New York Times story on protests over a pipeline seen as encroaching on sacred native lands, residents recall a long history of destruction of their lands and communities, first by their burial under a reservoir and then by excavation for the pipeline:
Verna Bailey stared into the silvery ripples of a man-made lake, looking for the spot where she was born. “Out there,” she said, pointing to the water. “I lived down there with my grandmother and grandfather. We had a community there. Now its all gone.”
History, like a river, runs deep here. And residents like Ms. Bailey say the pipeline battle has dredged up old memories and feelings about lost lands and broken treaties with the United States government, as well as their worries about the future of land and water they hold sacred.

Standing Rock Controversy, North Dakota, 2016
Photo courtesy No Dakota Access
Like North Dakota, the landscape at Lava Beds is intertwined with the lives of the many tribes that called the area home. Petroglyph Point is a large rocky outcropping, or tuff, which arose from the waters of Tule Lake about 275,000 years ago. It gets its name from the numerous native carvings found on the face of the cliff—one of the largest panels of native rock art in the country.
At one time, the waters of Tule Lake surrounded this piece of land and Indians would moor their boats to its base, carving drawings into the rock at the waterline. Between 1904 and 1970 a series of federal irrigation projects reduced Tule Lake to a fraction of its natural size, turning this former island into the landlocked hunk of rock seen below. Water remains a contentious issue in the Klamath Basin today. The drawings remain an enduring symbol of the native community that once thrived here.

(Above) Petroglyph Point, 2016
(Below) Wall on Petrolglyph Point, 2016
Photos courtesy Alison Moore


With Mt. Shasta as a backdrop, and the waters of Tule Lake a haven for birds and other wildlife (it is part of the Pacific Flyway), this was once fertile ground for native people and wildlife alike.
The multiple designations bestowed on the area speak to its complicated past: Lava Beds was designated a National Monument in 1925; a portion of the Monument became a National Wilderness Area on October 13, 1972; and the area became a part of the National Register of Historic Places in 1991. 
This area—at the southern boundary of the Cascades and the edge of the Modoc Plateau - has much to offer wilderness tourists. On a recent June day, visitors had the monument - adorned with wildflowers, grasses, and stunning vistas - nearly to themselves, the ghosts of the past in evidence along the lava-strewn paths.

(Above) Wildflowers, Captain Jack’s Stronghold, Lava Beds National Monument, 2016
(Below) Rock Fortification, Lava Beds National Monument, 2016
Photos courtesy Alison Moore


Today the native peoples of the Klamath Basin speak poignantly of their long spiritual ties to the land of southern Oregon and northern California. As part of the California Historical Society’s current exhibition on the Modoc War and the contemporary native people of the area, a number of tribal members were interviewed by StoryCorps. As some recompense for a long and fraught history with the federal government, the words and voices of the Klamath people now have a permanent home in Washington, D.C. at the Library of Congress.

StoryCorps Gift Bags, 2016
Photo courtesy Alison Moore

Louis H. Heller, Jack’s Family—Lizzy (young wife), Mary (his sister), Old Wife & Daughter, 2016
California Historical Society


Alison Moore
Strategic Initiatives Liaison

Sources

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Now on View at the California Historical Society

Two exhibitions of Native Americans bridge the past and present.


Native Portraits: Contemporary Tintypes by Ed Drew features portraits of members of the Klamath, Modoc, and Pit River Paiute tribes, some of them descendants of Modoc War survivors. A selection of Modoc War images by Eadweard J. Muybridge and Louis H. Heller from the California Historical Society collection are some of the objects displayed in Sensationalist Portrayal of the Modoc War, 1872–73.



Friday, October 7, 2016

Modoc Ancestral Run: Celebrating Native Heritage at Lava Beds National Monument


Ed Drew, Modoc Ancestral Run, Lava Beds National Monument, 2014 by © Ed Drew

On October 8, relay runners will wend their way through seventy-five miles of traditional Modoc territory in what is today Lava Beds National Monument. This will be the fifth annual Modoc Ancestral Run, a grassroots event designed to draw people of Modoc and Pitt River ancestry closer to their heritage and to one another. 
The run takes place on land where a small band of Modoc Indians led by a man known as Captain Jack (Kintpuash) made a six-month-long stand against U.S. Government forces through the winter of 1872–73. The Modocs had been living on a reservation in southern Oregon, but conditions there deteriorated and they returned to their homeland on the Lost River near the California-Oregon border. When federal troops attempted to push them back to the reservation, and the Modocs refused, war erupted. A group of about sixty Modoc men and their families retreated to their traditional site of refuge in the lava beds, which became the scene of a series of battles, nearly all of which the Modocs won, despite being outnumbered and out-gunned, by using the landscape to their advantage. 

Eadweard Muybridge, The Lava Beds, 1873
California Historical Society
This 1873 stereograph by Eadweard Muybridge (1830–1904) of the lava beds at Tule Lake on the California-Oregon border shows the topography that was home to a small band of Modoc Indians during the Modoc War—the only major U.S./Indian conflict in present-day California.

For contemporary Modocs, and for descendants of other tribes, the protracted confrontation in the lava beds stands today as a potent example of Indian resistance to the forces of colonization. It is also a powerful symbol of the resilience of their people. The Modoc Ancestral Run honors the bravery and fortitude of those who fought in the Modoc War, and the generations that suffered in its aftermath, but it is also speaks to the vitality of native people today. 


Louis H. Heller, Schonchin and Jack, 1873
California Historical Society
The portraits of imprisoned Modoc warriors by Louis H. Heller (1839–1928)—the first photographer to arrive at the lava beds—were originally published as engravings in Harper’s Weekly in June 1873 as engravings based on his photographs.

Participants will spend the weekend camping at nearby Indian Wells Campground. The run itself will begin Saturday at sunrise and continue through the day. For many of the participants—including tribal elders as well as young children—the weekend spent in the elements and the long relay through the unforgiving terrain of the lava beds will be arduous. This test of endurance will be a sacrifice, but one that connects participants to both the past and to one another.


(Above) Eadweard Muybridge, Gillem’s Camp, Tule Lake, Camp South, from Signal Station, 1873
California Historical Society
(Below) Gillem’s Bluff Bordering the Tule Lake Basin Today, 2013
Courtesy of National Park Service

(Below) Ed Drew, Charlene, 2014
Courtesy of the artist



Erin Garcia
Managing Curator of Exhibitions


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Read more about the Modocs and the Modoc War

Boyd Cothran, Remembering the Modoc War: Redemptive Violence and the Making of American Innocence (Chapel Hill: The University of North Carolina Press, 2014)

Cheewa James, Modoc: The Tribe That Wouldn’t Die (Happy Camp, CA: Naturegraph Publishers, 2008)

Peter Palmquist, “Imagemakers of the Modoc War: Louis Heller and Eadweard Muybridge,” Journal of California Anthropology 4, no. 2 (1977)

Jeff C. Riddle, The Indian History of the Modoc War and the Causes That Led to It (San Francisco: Marnell & Company, 1914)
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Now on View at the California Historical Society



Two exhibitions of Native Americans bridge the past and present.http://www.californiahistoricalsociety.org/exhibitions/current_exhibitions.

Native Portraits: Contemporary Tintypes by Ed Drew features portraits of members of the Klamath, Modoc, and Pit River Paiute tribes, some of them descendants of Modoc War survivors. A selection of Modoc War images by Eadweard J. Muybridge and Louis H. Heller from the California Historical Society collection are some of the objects displayed in Sensationalist Portrayal of the Modoc War, 1872–73.



Monday, July 25, 2016

Upcoming Events: The Modoc War

Tule Lake, Camp South, from the Signal Station, Tule Lake in the Distance
Tule Lake, Camp South, from the Signal Station, Tule Lake in the Distance, from the series The Modoc War, Eadweard Muybridge, photographer; Bradley & Rulofson, publisher, 1873, albumen stereograph, California Historical Society
Last Thursday was the opening of two exhibits at the California Historical Society: “Sensationalist Portrayals of the Modoc War, 1872—73” and “Native Portraits: Contemporary Tintypes” by Ed Drew (on view July 21—November 27, 2016). This week and in the coming months, the California Historical Society will animate these exhibitions with a set of engaging public educations programs and events. We will host authors, scholars, and photographers in conversation on the history of the Modoc War, the depiction of Native Americans in nineteenth-century American photography using Modoc War photographs as a case study, and the use of the historic and unique tintype process to create thought-provoking images that challenge historic and contemporary perspectives of Native Americans.

We hope you will join us in learning more about the Modoc War, about the weighty, complicated history of photography, and about artists who find power and authenticity in their Native American heritage.


Thursday, July 28, 2016, 6:00pm, San Francisco, CA
The Modoc War: A History Examined Through Objects in the Exhibition

$5 for CHS Members and Educators, $10 General Admission
RSVP: 
https://modocwar_historytoldthroughobjects.eventbrite.com


Wednesday, September 28, 2016, 6:00pm, San Francisco, CA
Modoc War Photographs: How Native Americans Represented National Anxieties about Race, Democracy, and Expansion in Post-Civil War Era
$10 General Admission, $5 CHS Members and Educators


Thursday, November 3, 2016, 6:00pm, San Francisco, CA
History, Identity, Photography – Tintype Artists Ed Drew and Will Wilson in Discussion$5 for CHS Members, $10 General Admission
RSVP: https://history_identity_photography-discussionbtw2artists.eventbrite.com