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Showing posts with label Native portraits. Show all posts
Showing posts with label Native portraits. Show all posts

Friday, November 25, 2016

Modoc Chief Kintpuash (Captain Jack): A California Indian Hero


Modoc Chief Kintpuash (“Captain Jack”) in 1864
Creative Commons 
As Native American Heritage Month draws to a close, so, too, do our related exhibitions, Sensational Portrayals of the Modoc War, 1872–73 and Native Portraits: Contemporary Tintypes by Ed Drew. The Modoc War connects these two shows: one features the intense interest the war created throughout the United States and the other displays contemporary portraits of native peoples of the Klamath region—some of them descendants of those who fought in the war.

This blog post commemorates a hero of the Modoc War, Kintpuash, known as Captain Jack (1837–1873). In 1872–73, this Modoc resistance leader led his people from the confines of the Klamath Indian Reservation back to their homeland to fight for the right to live as free people on their ancestral land in the Tule Lake area of northern California.


Klamath Indian Reservation, 1879
US Bureau of Reclamation, Klamath Basin Office

The Klamath Indian Reservation had its beginnings in the Treaty of 1864, in which the Klamath, Modoc, and Yahooskin peoples agreed to live together as what was referred to as the “Klamath Tribe” on a reservation in the Klamath Basin of southern Oregon. In exchange for their land—almost 20 million acres—they would be provided necessary provisions on land about one-tenth the size.


Klamath and Modoc Territories and Subgroups in the 19th Century with Modern Town Locations
Courtesy College of the Siskiyous

In the annals of the militarization of the West in the nineteenth century, many promises were made by the federal government, and many were not honored. For one band of Modoc Indians living in the Klamath Reservation the arrangement became untenable.

After a number of years without help and provisions, and under the leadership of Kintpuash with Jim Schonchin, a small group of Modoc men and their families left the reservation and returned to their ancestral lands in today’s Lava Beds National Monument in northern California. Federal troops attempted to push them back to the reservation. As Indian Commissioner Thomas J. Morgan, acknowledged about the government’s long-standing policy, “The Indians must conform to ‘the white man’s ways,’ peaceably if they will, forcibly if they must.” But the Modocs refused to abandon their homeland.

Louis H. Heller, Modoc Leaders Jim Schonchin and Captain Jack, 1873
California Historical Society

Louis H. Heller, Captain Jack’s Family, 1873
California Historical Society

War erupted in November 1872 between the Modocs—about 55 men and their families—and the United States Army. The volcanic landscape of the 47,000-acre lava beds (called the Land of Burnt Out Fires), with its nearly 700 caves, became a natural fortress that the Modocs reinforced to give them an upper hand in battles.



Eadweard Muybridge, The Lava Beds, 1872–73
California Historical Society

In January 1873, as U.S. troops from Fort Vancouver and Fort Klamath pressed the first major assault on Captain Jack’s Stronghold (the Modoc fortress), fog rolled in from nearby Tule Lake, blinding the soldiers as they inched across the rocky terrain. The Modocs moved unseen through lava tubes, killing or wounding dozens of soldiers from below while suffering no casualties of their own.

For about six months, the Modocs successfully fought off U.S. troops, capturing the attention and imagination of people across the country, many of whom were sympathetic to the Modocs for humanitarian reasons.

Captain Jack himself became somewhat of a folk hero. He was then “a man of 30 years of age, a man of square mold, 5 feet, 10 inches in height—a royal-blooded man of more than common heritage,” observed Col. Alfred B. Meacham of the Bureau of Indian Affairs.

According to the May 30, 1873, issue of the New York Times, “Each mail brings also to camp an extensive correspondence for Capt. Jack . . . . One wishes Jack to come there and scalp the fellow who wants to win his girl away from him, another assures him he will get plenty of volunteers if he comes to his village, still again he is congratulated on his heroism and told to go on and conquer.”

But the adulation was short-lived. On April 11, 1873, the Army and Modocs held a peace commission. In his bid for a settlement, Captain Jack requested a reservation of 6 square miles on the lava beds. Indians could live there, he reasoned, white men couldn’t. When it became clear that the two sides would not come to terms, Captain Jack opened fire and a battle ensued, resulting in the deaths of General Edward R. S. Canby—the only U.S. general lost in an Indian conflict—and Reverend Eleazer Thomas.

With the tide now turned against the Modocs, the government renewed its attempts to drive the Modocs out of the lava beds. Joined by 70 Warm Springs Indian scouts, 675 U.S. soldiers with four batteries of artillery besieged Captain Jack’s Stronghold for two days, but as few as eight Modoc men continued to fend them off.



Eadweard Muybridge, Warm Springs Indian Scouts in Camp, 1872–73
California Historical Society

Add captioEadweard Muybridge, The Modoc Stronghold after Its Capture, 1872–73
California Historical Society

 
The Modocs were nevertheless driven from their advantageous position. A loss of morale led several men to desert Captain Jack and help the forces hunting him. It was not until the first of June, a remarkable six months after the conflict began, that Captain Jack and his closest allies finally surrendered. They were brought to Fort Klamath, where they were sentenced to death for the murders of General Canby and Reverend Thomas.

Fort Klamath Graves of Boston Charley, Black Jim, John [Schonchin] Schonchiss, and Captain Jack, Executed October 3, 1873
Courtesy Huntington Library, San Marino, California


Shelly Kale
Publications and Strategic Projects Manager


Sources
Boyd Cothran, Remembering the Modoc War: Redemptive Violence and the Making of American Innocence (Chapel Hill: The University of North Carolina Press)
Cheewa James, The Tribe That Wouldn’t Die (Happy Camp, CA: Naturegraph Publishers, 2008)
The Oregon Experience: The Modoc War, documentary, Oregon Public Broadcasting and the Oregon Historical Society; http://www.californiaindianeducation.org/famous_indian_chiefs/captain_jack/  
Jeff C. Riddle, The Indian History of the Modoc War; http://www.archive.org/details/indianhistoryofm00riddrich
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Closing Soon!




Friday, October 7, 2016

Modoc Ancestral Run: Celebrating Native Heritage at Lava Beds National Monument


Ed Drew, Modoc Ancestral Run, Lava Beds National Monument, 2014 by © Ed Drew

On October 8, relay runners will wend their way through seventy-five miles of traditional Modoc territory in what is today Lava Beds National Monument. This will be the fifth annual Modoc Ancestral Run, a grassroots event designed to draw people of Modoc and Pitt River ancestry closer to their heritage and to one another. 
The run takes place on land where a small band of Modoc Indians led by a man known as Captain Jack (Kintpuash) made a six-month-long stand against U.S. Government forces through the winter of 1872–73. The Modocs had been living on a reservation in southern Oregon, but conditions there deteriorated and they returned to their homeland on the Lost River near the California-Oregon border. When federal troops attempted to push them back to the reservation, and the Modocs refused, war erupted. A group of about sixty Modoc men and their families retreated to their traditional site of refuge in the lava beds, which became the scene of a series of battles, nearly all of which the Modocs won, despite being outnumbered and out-gunned, by using the landscape to their advantage. 

Eadweard Muybridge, The Lava Beds, 1873
California Historical Society
This 1873 stereograph by Eadweard Muybridge (1830–1904) of the lava beds at Tule Lake on the California-Oregon border shows the topography that was home to a small band of Modoc Indians during the Modoc War—the only major U.S./Indian conflict in present-day California.

For contemporary Modocs, and for descendants of other tribes, the protracted confrontation in the lava beds stands today as a potent example of Indian resistance to the forces of colonization. It is also a powerful symbol of the resilience of their people. The Modoc Ancestral Run honors the bravery and fortitude of those who fought in the Modoc War, and the generations that suffered in its aftermath, but it is also speaks to the vitality of native people today. 


Louis H. Heller, Schonchin and Jack, 1873
California Historical Society
The portraits of imprisoned Modoc warriors by Louis H. Heller (1839–1928)—the first photographer to arrive at the lava beds—were originally published as engravings in Harper’s Weekly in June 1873 as engravings based on his photographs.

Participants will spend the weekend camping at nearby Indian Wells Campground. The run itself will begin Saturday at sunrise and continue through the day. For many of the participants—including tribal elders as well as young children—the weekend spent in the elements and the long relay through the unforgiving terrain of the lava beds will be arduous. This test of endurance will be a sacrifice, but one that connects participants to both the past and to one another.


(Above) Eadweard Muybridge, Gillem’s Camp, Tule Lake, Camp South, from Signal Station, 1873
California Historical Society
(Below) Gillem’s Bluff Bordering the Tule Lake Basin Today, 2013
Courtesy of National Park Service

(Below) Ed Drew, Charlene, 2014
Courtesy of the artist



Erin Garcia
Managing Curator of Exhibitions


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Read more about the Modocs and the Modoc War

Boyd Cothran, Remembering the Modoc War: Redemptive Violence and the Making of American Innocence (Chapel Hill: The University of North Carolina Press, 2014)

Cheewa James, Modoc: The Tribe That Wouldn’t Die (Happy Camp, CA: Naturegraph Publishers, 2008)

Peter Palmquist, “Imagemakers of the Modoc War: Louis Heller and Eadweard Muybridge,” Journal of California Anthropology 4, no. 2 (1977)

Jeff C. Riddle, The Indian History of the Modoc War and the Causes That Led to It (San Francisco: Marnell & Company, 1914)
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Now on View at the California Historical Society



Two exhibitions of Native Americans bridge the past and present.http://www.californiahistoricalsociety.org/exhibitions/current_exhibitions.

Native Portraits: Contemporary Tintypes by Ed Drew features portraits of members of the Klamath, Modoc, and Pit River Paiute tribes, some of them descendants of Modoc War survivors. A selection of Modoc War images by Eadweard J. Muybridge and Louis H. Heller from the California Historical Society collection are some of the objects displayed in Sensationalist Portrayal of the Modoc War, 1872–73.