11/3/10 Book talk with Jeanne Reesman and Sue Hodson - Jack London, Photographer

Wednesday, November 3, 2010

Book talk with Jeanne Reesman and Sue Hodson - Jack London, Photographer


California Historical Society, 6:00 – 8:00 p.m., Free

Jack London (1876–1916) remains one of the most widely read American writers, known for his naturalist fiction, socialist novels and essays, journalism, and the many adventures that he shared with the world. London was also an accomplished photographer, producing nearly twelve thousand photographs during his lifetime. Jack London, Photographer, the first book devoted to London’s photography, reveals a vital dimension of his artistry, barely known until now.

Zakheim: The Art of Prophetic Justice at the Jazz Heritage Center



Bernard Baruch Zakheim, Untitled 1931

Lehrhaus Judaica Presents : Zakheim: The Art of Prophetic Justice at the Jazz Heritage Center

BERKELEY – Lehrhaus Judaica will present Zakheim: The Art of Prophetic Justice at the Jazz Heritage Center in San Francisco this fall. A photographic history of Bernard Zakheim's life and work will be showcased in the Koret Heritage Lobby from October 17-December 30, and approximately 25 original Zakheim paintings will be displayed in the Lush Life Gallery from October 17-November 30.

The exhibition is made possible by a lead grant from the Koret Foundation, the Laszlo N. Tauber Family Foundation, the Fleishhacker Foundation, Fred Levin & Nancy Livingston, The Shenson Foundation, and The Magnes Collection of Jewish Art and Life, The Bancroft Library, UC Berkeley, collaborated on the exhibition.

The Zakheim exhibition is a follow-up to the highly successful Jews of the Fillmore exhibit presented by Lehrhaus Judaica and the Magnes Museum in the fall of 2009. Zakheim lived and taught in the Fillmore District, a predominantly Jewish neighborhood in the 1920s and 1930s, during the interwar period before moving to Sebastopol where he set up his studio in an apple orchard. Rosenbaum's recently published cultural and social history of Bay Area Jewry, Cosmopolitans (UC Press, 2009), includes a five-page section on Zakheim in the context of his times.

Although he is little known today, Bernard Baruch Zakheim (1896-1985) was one of the leading artists in California in the middle decades of the 20th century. Born and raised in a Hasidic family in Warsaw, Poland, he immigrated to San Francisco in 1921 and except for lengthy periods of study in Paris and Mexico City, he resided in the Bay Area until his death.

"My father's work speaks to humanity; it speaks of humanity," said Nathan Zakheim. "As a diarist, he recorded the Holocaust in vivid paintings from afar. He recorded the horror of man's inhumanity to man, but then, from the depths of personal pain, the pain of losing his whole extended family in the Warsaw Ghetto, he emerged with lush green grasses, and scorched dead trees blooming with fresh red flowers. From those dark days onward, his art brimmed over with golden waves of the resurgence of life, of darkness giving way to light. In today's troubled world, his work has taken on a new light."
Reproductions of Zakheim's main works may be viewed at http://www.bernardzakheim.com/.

Zakheim, a protégé of Diego Rivera, won fame primarily as a muralist. His Jewish Wedding, commissioned for the new San Francisco Jewish Community Center in 1933 (and removed, restored, and reinstalled when that institution demolished its building and erected a new facility in 2004) is considered one of the most notable works of art in any Jewish building on the West Coast.

In 1934, he oversaw the entire Coit Tower mural program, the largest publicly funded art program in the country, and his own work, Library, ignited much controversy because it starkly reflected the class conflict during the Depression. At the end of the 1930s, he painted the monumental 12-panel fresco, The Story of California Medicine, which hangs in the amphitheater of Toland Hall on the campus of the UCSF Medical Center.

In addition, Zakheim produced a large oeuvre of watercolors, oils, other works on paper, and sculpture. He was one of the first American artists to depict the Holocaust, and his huge wooden sculpture Genocide (initially displayed at the Magnes Museum and since 1969 in Mount Sinai Memorial Park in Los Angeles) was among the earliest Shoah monuments in the United States. He traveled to Israel in 1970 and portrayed the achievements of Zionism. He also painted a series of vivid scenes showing the Jewish contribution to the American Revolution.

In the 1930s, Zakheim was one of the foremost Jewish artists in the country," said Rosenbaum, the 2010 Cowan Award recipient. "He was also among the most controversial. The Jewish symbols of his youth in Warsaw, the narrative fresco techniques he studied in Mexico City, and the postimpressionism he absorbed in Paris, all served his artistic plea for human dignity. "

Other than the murals, the majority of Zakheim's work is in the possession of his son, Nathan Zakheim of Los Angeles. The family also has an invaluable photo collection dating from the artist's birth to his death at the age of 89, as well as an extensive archive of his personal correspondence and other papers. The Zakheim family and its exclusive representative for Bernard Zakheim's art, Albert Neiman, have pledged full cooperation for this project.

In addition to the public opening lecture by Rosenbaum, there will be additional Zakheim presentations in San Francisco. Contemporary art specialist Susanne Strimling will speak about Zakheim on Sunday, November 14, at 11 a.m. at the Jazz Heritage Center.

For more information, please visit www.lehrhaus.org or http://www.jazzheritagecenter.org/.
Seating is limited, so please register early HERE

Local History Mapped has just been launched on Calisphere!

Click to see larger Images

Local History Mapped consists of five maps of California with approximately 350 images from Calisphere plotted on the locations they depict. Users can browse the maps to find images, explore their neighborhoods, and learn about local history. Each map is on a different theme—civic buildings, disasters, transportation, city scenes, and everyday life—and includes a short essay with selected images and a “teachers’ toolbox” with ideas and activities for K-12 educators.  The California Historical Society has contributed to this project with several period photographs.  The maps will be accessible from the Calisphere homepage.


From Calisphere:

Local History Mapped: How We Mapped the Images

As we selected images for this feature, we tried to ensure representation of a variety of regions and communities. Even if their precise locations could not be determined, we decided that some images were worth including because they are visually rich and document what was happening in a defined area at a specific time in history. For all of the images in this collection, we have identified and mapped their locations to at least the city level.


Finding the Geo-coordinates

Pinpointing the geo-coordinates of each image in Calisphere’s Local History Mapped took some historical detective work. We followed five steps to find the address or cross-streets for each image:

1. We mapped the image to any location information contained in its description. For instance, the titles of some photographs contain the addresses of buildings pictured.

2. If there was not enough information in the description, then we looked for any landmarks and features in the image that could help identify its location.

3. We compared whatever information we could find there with information on trusted websites, like those of local historical societies.

4. We also searched the Internet for contextual information that would help define the location (for instance, looking up a modern-day stretch of historical Route 66).

5. Finally, in some cases, we submitted a reference request to the institution that contributed the image. Staff at these repositories applied their knowledge of local and regional history to help us map the images.


If you have additional information about an image that will help us more accurately map it, please let us know at calisphere@ucop.edu.

What “Location on map is approximate” Means

When you see the statement “Location on map is approximate,” it means that we were not able to identify its exact geo-coordinates (address or cross-streets). We plotted these images to the most specific known level of detail, such as “the waterfront” or “the north side of town.” There are several reasons why we might not have been able to find the exact address for every image:

1. Something changed: Sometimes, the physical environment had been altered since the photograph was taken. For example, we could not map some structures destroyed in the 1906 earthquake because the street patterns of some of the affected towns were changed in their rebuilding. And as a result of California’s rapid population growth in the mid- to late 20th century, areas of farmland were transformed to strip malls and housing developments. Urbanization also brought re-zoning and new ways of organizing and naming the landscape.

2. Not enough information: Other times, we found photographic evidence of people and places but did not have the metadata (location, date, and other information about the image) necessary to support exact mapping. Some family photographs that help us understand the diverse individuals living in California throughout its history did not include specific enough information about where the photograph was taken.

3. No information: Finally, and perhaps most frequently, we do not know much about an image because its creator or collector did not record its details. Libraries, archives, and museums work hard to identify all the facts about the articles they collect, but sometimes these details are simply lost to history.

All of the maps are available from the Calisphere homepage http://calisphere.universityofcalifornia.edu/; you’ll notice a new space highlighting this in the “Collections for Educators” section. Or, if you’re feeling adventurous, you can view a map at random with the URL: http://calisphere.universityofcalifornia.edu/mapped/.

"Wheels of Change" Wins Major Car Book Award

Wheels of Change by Kevin Nelson, co-published by CHS and Heyday Books, has won a prestigious car book award: The Valentine Memorial Award for 2010, presented by the Society of Automotive Historians.   The award has been presented annually since 1999 to honor the late James Valentine, a founder of the chapter, who had a great interest in the relationship between the automobile industry and the state of California .

It is not possible to think of California without the influence of cars, nor can anyone imagine how the modern automobile would have developed without California. In Wheels of Change, author and historian Kevin Nelson brings to life the adventures and personalities that have shaped the story of California’s car culture, from engineering wizards to rebels without a cause to "gearheads" and dry lake racers. Nelson’s lively account covers the early days of horseless carriages all the way up through the 1950s and early ’60s, during the glory years of hot rods, customs, drag racing, and imported sports cars. He reveals the movie industry’s influence on cars, including the raucous off-screen racing exploits of Gary Cooper, Clark Gable, James Dean, and Steve McQueen.

About the Author

Kevin Nelson is the author of eighteen books. His Operation Bullpen: The Inside Story of the Biggest Forgery Scam in American History is currently under development to be a motion picture. Another highly praised book of his, The Golden Game: The Story of California Baseball, co-published by California Historical Society and Heyday Books, was named one of the top ten books of 2004 by the San Francisco Chronicle. Nelson devoted three years to researching and writing Wheels of Change, driving thousands of miles around California on road trips to car shows, car museums, car clubs, racetracks, the El Mirage dry lakes area, and other significant spots in the state’s automotive history. Nelson currently lives in the Bay Area with his wife and children.

11/4/10 Book Talk and Signing with Inge S. Horton – Early Woman Architects of the San Francisco Bay Area

Thursday, November 4, 2010

Book Talk and Signing with Inge S. Horton – Early Woman Architects of the San Francisco Bay Area – The Lives and Work of Fifty Professionals, 1890 – 1951


California Historical Society, 5:30 - 7:00 p.m., Free

Inge Schaefer Horton is a retired city planner with a strong background in architecture who has been researching early women architects who lived and practiced at the same time as Julia Morgan, the eminent California architect. Her passion for discovering the careers and work of these lesser-known professionals began when she and her friends mounted an exhibition on European women architects at the San Francisco AIA (American Institute of Architects.) One of her friends remarked that the Europeans are lucky because they have so many role models while we in the United States have only Julia Morgan. Inge thought that it was highly unlikely that Julia Morgan was the only female pursuing architecture and started her search for her cohorts. Her research was full of surprises and eventually led to her decision to write a book about these amazing women. This program was developed in collaboration with William Stout Books.

California's Day of Inclusion

Assemblymember Mike Eng (D-Monterey Park) authored Assembly Concurrent Resolution (ACR) 76 to have December 17th designated as the “Day of Inclusion” in California. December 17th was chosen as a way to memorialize the historic Magnuson Act, signed into law on December 17, 1943, which repealed the Chinese Exclusion Act of 1882 and marked a turning point regarding society’s harsh attitudes towards immigration and immigrants. By repealing the “Chinese Exclusion” prohibitions, the United States expressed its commitment to continue to break down cultural barriers, appreciate differences, enrich cultural diversity, and further racial, religious and cultural tolerance. 

One of the photographs used in this production came from the collection of the California Historical Society.  Many images from our collection are available on Calisphere, the image database for the Online Archive of California.

CHS Digitization Project: Peoples Temple Photographs

Peoples Temple children, Jonestown, Guyana. c.1977-1978
Photographs of Peoples Temple in the United States and Guyana,
PC 010.07.0778, California Historical Society.

The California Historical Society (CHS) has just completed a project to digitize 200 images from their collection of Photographs of the Peoples Temple in the United States and Jonestown, Guyana. The project was funded by a California Local History Digital Resources Program (LHDRP) grant, supported by the U.S. Institute of Museum and Library Services under the provisions of the Library Services and Technology Act, administered in California by the State Librarian. These images are now available online through the Online Archive of California at http://www.oac.cdlib.org/findaid/ark:/13030/kt6m3nf469/ and through Calisphere at http://www.calisphere.universityofcalifornia.edu/, both public projects of the California Digital Library. These digital images represent a sampling of images from a larger collection of over 1200 slides of the membership of Peoples Temple, spanning from the early days of the church in Redwood Valley, California to the construction and cultivation of Jonestown.

The community of Peoples Temple survivors was instrumental in assisting CHS on the project, and was able to supply the names of many previously unidentified members, date many of the images, and resolve identifications that were disputed. Their generous work as volunteers has made an enormous impact, and all of us at CHS would like to thank them for their efforts; their contribution will assist researchers and the families of the deceased for the life of the collection. The names that were provided form part of the information available online with the digital images, and allow for searching the photographs by individual, in addition to geographic location or subject.

The Peoples Temple Collection at the California Historical Society continues to draw visitors from around the world to do research for films, books, and articles as we make more information about the holdings of CHS available online. The collection also continues to grow, thanks to donations from former members of Peoples Temple. CHS holds the bulk of materials relating to Peoples Temple and the events that surrounded the November 18, 1978 tragedy in Jonestown, Guyana. Comprised of over 25 related collections, the Peoples Temple Collection includes organizational records from Peoples Temple, personal papers of former members, survivors and their families, researchers, and government agencies. The materials in the collection include correspondence, organizational documents, artifacts, legal documents, audiotapes, slides and photographs, along with a wide array of published materials.

Tanya Hollis

Archivist/Manuscripts Librarian
California Historical Society

California Nights! Vintage California 10/13/10 FREE Event

Come join the California Historical Society celebrate all things California! Connect, learn, and discuss the future of the great state of California, all while listening to music and enjoying complementary refreshments.

October's California Nights will have a "Vintage California" theme: there will be a live DJ playing Swing music, Rockabilly and Big-Band classics.  Wear your vintage duds and join us for a great evening!

California Nights @ The California Historical Society
Wednesday, October 13 2010
5:00 - 8:00 p.m.
678 Mission Street
San Francisco

Litquake Public Reading and Reception 10/3/10

Sunday, October 3, 2010



CLA All-Stars: 25 Years of San Jose's Center for Literary Arts


California Historical Society
678 Mission St. San Francisco
6:30 – 8:30 p.m.


$10/ $5 CHS members, students and seniors

Tickets are now available at http://www.brownpapertickets.com/event/131115
Tickets will also be available at the door prior to the event.

There will be a VIP reception from 5:30 to 6:20 p.m., tickets are $25 click here to buy. Share a glass of wine and intimate conversation with the authors before their public reading during Litquake festivities (includes admission to the reading).

For 25 years, the Center for Literary Arts has hosted writers of exceptional voice and vision, including five winners of the Nobel Prize and dozens of Pulitzer Prize and National Book Award winners. CLA visitors give readings and public conversations at San Jose State University and at a public high school on the eastside of San Jose.  Hosted by CLA director Andrew Altschul.

Join best-selling authors Maxine Hong Kingston (The Woman Warrior, Tripmaster Monkey), Mary Roach (Packing for Mars, Stiff, Spook, Bonk), Daniel Alarcón (Lost City Radio), Kim Addonizio (Tell Me, Lucifer at the Starlite) and Andrew Sean Greer (The Story of a Marriage) as they read from their latest works. This program was developed in collaboration with the San Jose Center for Literary Arts and Litquake.

Today is the 160th anniversary of California's statehood!

1890 Photo of the original Bear Flag. 
Stored in the Halls of  The Society of California Pioneers 
the flag was destroyed in the
San Francisco earthquake and firestorm of 1906

In the late 18th century California was an important part of New Spain, having been colonized by the Spanish Empire primarily through the establishment of missions and presidios over the period between 1769 and 1823.  The 21 Missions established by Spanish Catholics of the Franciscan order, were both military and religious settlements that functioned independently of each other and allowed for the further colonization of what was then known as Alta California.  Prior to the arrival of Portuguese, English and Spanish explorers, California had one of the most linguistically and culturally diverse populations in pre-Columbian North America including more than 70 distinct groups of Native Americans. 

In 1821 the Mexican War of Independence effectively freed Alta California from Spanish Control.  California was divided into huge land grants for Mexican "Californios" who established family-controlled ranchos in what was then a remote northern province of the Mexican Empire (later Republic). 

On June 14, 1846 a group of American settlers declared independence from Mexican rule, this uprising was known as the Bear Flag Revolt and occurred during the Mexican-American War (1846 to 1848).  As a result of the war, California was ceded to the United States by Mexico and became the 31st state admitted to the Union on September 9, 1850.