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Showing posts with label Transcontinental Railroad. Show all posts
Showing posts with label Transcontinental Railroad. Show all posts

Monday, June 17, 2019

The Transcontinental Railroad, African Americans and the California Dream

A pivotal moment for the era and a monumental industrial infrastructure achievement in the history of the United States, the transcontinental railroad completion in 1869 had a profound effect on American life which changed the nation forever. It was a revolution which reduced travel time from the east to west coasts from months to about a week, and at less cost than previous overland and by sea options, that open economic and cultural opportunities for the possibilities of the movement of people and goods. It opened California, other parts of the U.S., and the Pacific World to more travelers, tourists, emigrants, and settlers.

A settler colonialist and imperialist project, corporate and military organization hosted imported (mostly from China) laborers who were paid low wages to plow across and lay the tracks through indigenous people’s sovereign nation lands to connect the distant colony of California to become a vital part of the U.S. continental empire. The railroad companies produced pamphlets and magazines to recruit whites from the U.S. and Europe to settle in California and the West, and those who wanted to explore the Western landscape from the comfort of the modern railway car. Although not thought of as part of the audience for this promotion, African Americans would also learn and benefit from what the transcontinental railroad could offer.

Before, during and after the transcontinental line’s construction, in southern states, thousands of enslaved and then freedmen worked on the railroads grading lines, building bridges, and blasting tunnels. They working as firemen shoveling coal into the boiler riding alongside the engineer, and as brakemen and yard switchmen. They loaded baggage and freight, and sometimes drove the train. Even with racist resistance to blacks as they migrated to northern states that rose after the Civil War, the new freedmen joined their northern brothers in the few jobs like these mentioned which were open to them.

The post-Civil War years into the early decades of the twentieth century, black men gained employment on the transcontinental railroad, most often as Pullman Company’s Palace Car porters and waiters, helping to define American travel during the railroad transportation era. These Pullman porters, as they were called, made “porter” synonymous with “Negro,” and provided glorified servant work as valet, bellhop, maid, and janitor for luxury sleeper cars used for overnight travel. Pullman cars were like or better than the best of America’s hostelries of the era, only on wheels.

Paid low wages, Pullman porters had to make money in tips from the public to survive and thrive, which they unquestionably accomplished. These men worked long hours and faced routine racial discrimination, abuse and indignities. The exploitative working conditions were imposed by management supposedly to incentivize black employees to provide the best service, compliancy in following orders and resistance to unionization, and to intimidate them to be grateful for their jobs. Scholarly studies showed in the 1920s, the Pullman company hired the most African Americans in the U.S. and the porters were one of the worst exploited workers in the country. But even under these conditions the job did have life changing benefits.

Pullman porter jobs offered stable blue collar employment, the adventure, glamour and education of travel to many places, and escape from hard physical labor on the farm or in the factory. Interaction with more intelligent classes in the travelers who Pullman porters meet and served, and the information gained from these people and the publications they left behind on the trains, informed them about what was going on in the broader world. Porters passed this knowledge and publications on to their families and the black communities they passed through in their travels around the country.

Between 1867 and 1969, thousands of African American men changed history as they rode the nation’s railroads as Pullman porters. They were an example of upward mobility for black males during the nation’s railroad transportation era. They spread the word of higher wages and improved circumstances which helped energize the Great Migration of nearly 500,000 southern African Americans who moved to the North between 1915 and 1919, and those who followed in later decades during the twentieth century to western, as well as northern cities. They created the first labor union for African Americans, the Brotherhood of Sleeping Car Porters (which also included the maids) in 1927, and helped build the 1950s–1960s phase of the civil rights movement.

California had its share of African American men who worked as Pullman porters and in other railroad jobs who migrated from southern states to its railroad hub cities during the late nineteenth and early twentieth centuries. They, like many African Americans, would have been attracted by California’s admittance to the Union as a free state in 1850, and the freedoms and opportunities this extended over the years. A history of less racially motivated violence and harassment directed towards African Americans was also an encouragement for migration to Los Angeles and other western cities. The opportunity for their children to attend public schools and the state’s 1893 anti-discrimination law were other factors which made California an enticing destination for new life opportunities.

John Wesley Coleman (1865–1930) worked as a Pullman porter for 12 years, after migrating with his family from Austin, Texas to Los Angeles at the time of an economic boom in 1887. An entrepreneurial clan, he and his relatives bought land and settled in Boyle Heights, a newly subdivided area just east of Los Angeles’ downtown and the river. They were some of the earliest African American settlers in Boyle Heights.

John Wesley Coleman and his family arrived in Los Angeles in 1887 from Austin, Texas and settled in the Boyle Heights District east of downtown. One of his early jobs in Los Angeles was working as a Pullman Porter, before he became a successful real estate investor, employment agent, and important civic leader. Photograph from The Negro Trail Blazers of California by Delilah Beasley, 1918.
Before and sometimes while Coleman worked as a railroad porter, he used his skill set and resources to take advantage of several employment and business development opportunities in his years of becoming an established Los Angeles citizen. By 1907, after ending his traveling around the country serving and meeting all types and classes of people as a Pullman porter, Coleman began one of his most enduring business endeavors. He opened an employment agency in downtown Los Angeles where he helped many African American newcomers find jobs.

Enormously successful in getting people employment up and down the Pacific coast, some observers in the African American media called Coleman the ”Employment King of Los Angeles.” Over the years, he also would accumulate and sell valuable regional real estate on his own and with relatives, and be a part of other business ventures such as the Hotel Coleman DeLuxe which provided services to primarily an African American clientele at Lake Elsinore, a resort town in Riverside County.

Among Coleman’s many significant civic leadership undertakings was in helping establish and support the Forum, founded in 1903. This organization encouraged collective action to advance and strengthen African Americans socially, intellectually, financially, and in Christian ethics. With a membership of all African American classes, the Forum fought against racial discrimination and engaged in philanthropic efforts. They supported black business development and patronage. They urged white-owned businesses and the government to employ African Americans in non-menial positions. Lasting until the 1940s, the Forum was one of the most important organizations in the history of African Americans in Los Angeles as it helped them develop a sense of community through providing a space for public discourse, civic organizing, political dialogue, and aided newcomers to network and assimilate into Los Angeles society.

While working as a Pullman porter, Arthur L. Reese (1883–1963) first traveled to Los Angeles and its environs. On a layover in 1902, he read in the newspaper about a new amusement pier and resort town construction by pioneering developer Abbot Kinney in an area to be called Venice of America on the Pacific Ocean’s Santa Monica Bay, just south of the city of the same name. Looking toward the future, Reese was interested to develop his own business and rode out on the streetcar to Venice to investigate what opportunities might be available for him with Abbot Kinney and his new venture. Soon after this, on his returned to Louisiana, Reese quit his railroad porter job and then moved to Los Angeles.

Arthur L. Reese discovered Los Angeles and Venice, California were he eventually moved, while on a layover from his Pullman Porter job in 1902. After moving to the region in 1904, Reese eventually became recognized as the “Wizard of Venice” due to the inventive decorations he designed for the Venice-of-America amusement center.(Photograph collage from the Arthur L. Lewis Family Archives)
Reese eventually established successful service oriented businesses which supported the needs of the Santa Monica and Venice business and residential community. Alongside his own business endeavors, he would become head of maintenance and decorations for the Kinney facilities and be very actively involved in Venice civic affairs with local business and other groups. Reese’s business operations would eventually extended into Los Angeles, and Lake Elsinore in Riverside County where he was part of a business partner in the Lake Shore Beach grounds, a resort site for African Americans. Over the years, Reese supervised a work force of a few dozen people which included several of his relatives who he inspired to migrate to California from Louisiana. Reese, his family members and other African Americans who worked with his and, or Abbot Kinney’s enterprises made up the early African American community which live in Los Angeles’ Venice beach community.

Like thousands of other African Americans in college, law and medical school, and other academic programs, Eugene Curry Nelson (1883–1962) spent summers working as a steamboat and railroad car waiter in the northeast U.S. In this temporary work, he earned a salary and tips which helped pay tuition and expenses for medical school and later the needed equipment for his professional office as a physician and surgeon. Born and reared in Charleston, South Carolina, he earned his undergraduate degree from Prairie View A&M University near Houston, Texas. He obtained his medical training degree from Meharry Medical School, in Nashville, Tennessee.

Dr. Eugene Curry Nelson, like so many young African American men and a few women when in college, law and medical school, and other academic programs, spent summers working on steamboats and railroad cars as waiters, porters and maids in the northeast U.S. to earn money to pay for tuition and other education. expenses. He moved to Los Angeles in 1914. 
In 1911, Nelson commenced his medical practice in Virginia, before migrating to Los Angeles in 1914, where he settled and built a practice that included patients who were African American, white, and from other racial and ethnic groups. In Los Angeles, even before the end of the Jim Crow era in the middle decades of the twentieth century, it was not uncommon for African American physicians to have patients from the varied ethnic communities of the city. This occurred even as these doctors and other African Americans were discriminated against in most other professional, employment and social settings.

By 1924, Nelson was called “one of California’s wealthiest Negroes” by Noah D. Thompson in an article which appeared in The Messenger, a nationally circulated African American monthly published by A. Philip Randolph and Chandler Owen in New York. In additional to practicing medicine, Nelson invested in several businesses in finance, real estate, manufacturing, oil, and amusement. He also held leadership roles in undertakings to promote and develop African American businesses and civic participation for individual and group benefit. In the 1920s, Nelson was part of a group of very ambitious African American businessmen who bought the white owned, Parkridge Country Club in Corona, a Riverside County community, to operate as an interracial space of recreation and for a new African American community development in Southern California’s Inland Empire.

Coleman, Reese, Nelson and others who worked as Pullman porters and waiters exemplified the “New Negro” determined to achieve fuller participation in American society in a hostile white world. Along the way, these men helped give birth to the African American professional classes. The transcontinental railroad line offered them new opportunities for employment, broader knowledge about the U.S. for their personal betterment and that of their community. It facilitated the ability of Coleman, Reese, Nelson and many other African American men and their relatives to migrate to Los Angeles to live their California Dream of new life opportunities in a mild climate and sublime landscape.


Bibliography
Jefferson, Alison Rose. Living the California Dream, African American Leisure Sites during the Jim Crow Era. Lincoln: University of Nebraska Press, in press.

Tye, Larry. Rising from the Rails, Pullman Porters ad the Making of the Black Middle Class. New York: Owl Books/Henry Holt and Company, 2004.

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Written by Alison Rose Jefferson, MHC, PhD.

Monday, June 3, 2019

History’s Imprint on the Land: Mark Ruwedel and Westward the Course of Empire

Last month, organizations throughout the West celebrate the one hundred and fiftieth anniversary of the opening of the first transcontinental railroad in North America. The California Historical Society commemorates this historic event with an exhibition featuring a contemporary photographic study of railroad landscapes by artist Mark Ruwedel (b. 1954). His series Westward the Course of Empire (1998–2004) documents hundreds of abandoned or never-completed lines throughout the US and Canadian West. Rather than chronicle the achievement of laying tracks across the frontier, the expansive survey asks us to consider the legacy of a technology that once promised to (and in many ways did) change the world.

Mark Ruwedel, Death Valley #16, 2001, gelatin silver print
 The triumphant joining of the Central Pacific and Union Pacific Railroads at Promontory Point, Utah, on May 10, 1869, marked the beginning of a period of prolific railroad construction. Short lines built for specific purposes crisscrossed the West. By the mid-twentieth century, redundancy, lack of demand, financial mismanagement, consolidation, and the rise of automobiles brought about an industry-wide decline. Ruwedel’s Death Valley #16 (2001), for example, shows us the remnants of a trestle that once carried trains full of borax from mines in Ryan, California, over a moon-like landscape. The narrow-gauge Death Valley Railroad (1914–31) was a feeder for the larger Tonapah and Tidewater (1907–41); both railroads closed when mining operations moved closer to better deposits, making them unprofitable.

For the series, Ruwedel used a large-format view camera and printed in gelatin silver—analog equipment and materials similar to those of the first railroad photographers. Westward the Course of Empire even takes its name from nineteenth-century images—specifically, a widely reproduced lithograph published by Currier & Ives and photographs by Alexander Gardner—that visualized US territorial expansion as iron horses crossing the frontier. Their purpose was to celebrate modern civilization’s ability to reach across the continent and its corollary conquest of hostile land and native peoples.

Mark Ruwedel, Spokane Portland and Seattle #35, 2001, gelatin silver print




Ruwedel trod much of the same physical territory, often photographing features of the Western landscape that earlier photographers made iconic, but his images suggest hubris rather than victory. In Spokane Portland and Seattle #35 (2001), a craggy mountain cut opens to a view of distant hills, and we can practically envision a locomotive chugging through the pass, but there is no train here, and the tracks are nothing more than a pile of wood on the side of the road. In Central Pacific #51 (1994), railroad ties vanish in the distance—not into the horizon but into tall grass and dirt. The road takes on the character of something archaeological, an ancient path of a culture that no longer exists.
Mark Ruwedel, Central Pacific #51, 1994, gelatin silver print
In a recent talk at the California Historical Society, Ruwedel described the “land as a stage for human activity,”1 a notion that echoes ideas introduced in the 1970s by the New Topographics photographers, including Lewis Baltz, Robert Adams, and Bernd and Hilla Becher. Their work marked a decisive shift away from heroic views of pristine nature (or exaltations of technological achievement) in favor of human-altered landscapes that they presented with a distinct lack of artifice and near-scientific objectivity.

Mark Ruwedel, photographs from Westward the Course of Empire on view at the California Historical Society, 2019
Ruwedel made the views for Westward the Course of Empire with a similar precision and formal rigor, using what he describes as “consistent camera syntax.” He photographed each site from a similar perspective and isolated it from its context or the full length of its original road. He then compiled the photographs into an inventory organized by type: cuts, grades, tunnels, water towers. (Only his pictures of trestles—best seen from distances or angles—deviate from his usual vantage point.) He presents the series in grids that suggest rationality while pointing to the scale and disorderliness of the railroad-building enterprise.

As though cataloging unique specimens, Ruwedel carefully handwrote the name of the rail line in pencil below each photograph. These names, he says, were aspirational in that many of the lines never reached their intended destinations. Tonapah and Tidewater, for example, did not meet the ocean. Nevertheless, he notes that “the caption implicates the picture in a historical drama.” These are not empty landscapes to be filled with human ambitions but evidence of what happened, the imprint of history on the land.

In many ways Ruwedel’s photographs are neutral documents that simply bear witness to the contest between nature and technology. Yet by showing us sites we would typically overlook and treating them like monuments elegantly rendered in gelatin silver, Ruwedel makes his point. The impact of our collective social and economic goals on the land deserves our attention.


Watch footage from our April 24th artists talk with Mark Ruwedel below:




Note

1. This and all subsequent Mark Ruwedel quotations are taken from his April 24, 2019, talk at the California Historical Society.
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Written by Erin Garcia, Managing Curator of Exhibitions

Monday, May 27, 2019

Spotlight on Japanese American History

Brocade of Sacramento Valley, 1911; Vault 13061; California Historical Society. Translated Title: Japanese in California: A pictorial history. By Nichei Bei Times, 1911; California Historical Society

This special edition booklet , created in 1911 by the Nichei-Bei Shimbun (Japanese American Times), provides a pictorial history of Japanese American families in rural California. It both documents and celebrates the Japanese community in the Sacramento Valley region and the important contributions they made to California’s agricultural economy early in the early twentieth century.

Watch shop owned by Mr. Aokihaka, Sacramento County, Calif.; Brocade of Sacramento Valley; Vault 13061; California Historical Society
In 1869, when the transcontinental railroad laid its last piece of track, Chinese workers, the labor force behind the building of the railroad, were left to seek employment elsewhere. At the same time, in the San Joaquin and Sacramento valleys, Northern California’s farming and agriculture industry was fast-expanding to meet the needs of a growing State. It was in these areas that many displaced Chinese workers migrated. Despite the clear need for labor in the orchards, fields, and vineyards of these regions anti-Chinese sentiment, formalized in the Chinese Exclusion Act of 1882, was rampant - forcing many to move to urban areas where Chinatowns offered some form of protection against racial violence.

Kaishundo Drug Store, Sacramento, Calif.; Brocade of Sacramento Valley; Vault 13061
As Chinese workers were forced out, labor needs in these agriculture and farming areas started to be filled by newly arrived immigrants from Japan. Post 1900, immigration from Japan to Hawaii and the West Coast of America was fueled by people seeking economic security and many Japanese, particularly those from rural farming and fishing villages, took advantage of Japan’s loosening emigration laws to seek employment overseas. Communities were born all over rural California as people from the same prefecture in Japan often settled near each other, many making the transition over time from agricultural laborers to tenant farmers and even business owners. 

Mikado Fish Market with owner Mr. Fujita, Sacramento, Cal., Brocade of Sacramento Valley; Vault 13061
Valerie Matsumoto in her book, Farming the home place: a Japanese American community in California, 1919-1982, estimates that between 1891 and 1900, 27,440 Japanese came to the West Coast from Hawaii and Japan to work in agriculture, canneries, logging, mining, and other industries, and that within a relatively brief period agriculture became the leading enterprise of the Japanese. In some areas of central California all-Japanese communities developed, including Florin in Sacramento County (known in Japanese as Taishoku) and the Yamato Colony at Livingston in Merced County.

[K. Igarashi & Co. Brocade of Sacramento Valley], Brocade of Sacremento Valley, Nichi Bei Times, 1911. Vault 13061






















By 1913, two years after Nichei-Bei Times published this pictorial of the Japanese American community in Sacramento Valley, as many as 6,000 Japanese had become tenant farmers. Despite this clear need for labor, increasing xenophobia paved the way for discriminatory laws targeting Japanese farmers. The Alien Land Law of 1913 prohibited "aliens ineligible for citizenship" from owning agricultural land or possessing long-term leases over it.” In 1920, California made this law even stricter with amendments that prohibited even short-term leases of lands to non-US citizens. 

These communities, continually under threat, were ultimately decimated in 1942 when Franklin D. Roosevelt signed Executive Order 9066, forcibly removing all Japanese residents and American citizens of Japanese ancestry and incarcerating them for the duration of WWII.

For many, after 1945, there was no home, no work, and no community to return to.

Nichei-Bei Shimbun [Japanese American news] 
Established in San Francisco in 1899, the Nichibei Shimbun was one of the most prominent ethnic newspapers in the continental United States. Reflective of its founder Kyutaro Abiko's vision, the newspaper called for assimilation and permanent settlement among Issei (“first generation”) as well as biculturalism and American patriotism among Nissei (“second generation”).

Throughout the prewar years, the Nichibei Shimbun remained one of the most important Japanese vernaculars in California, if not in the entire western United States. During the 1920s, its daily circulation peaked at over 25,000, which included the San Francisco and Los Angeles editions.


Sources

Waves of Immigration, by Emily Anderson, Densho Encyclopedia, https://encyclopedia.densho.org/Immigration/

Terminology, Densho Encyclopedia, https://densho.org/terminology/

National Park Service, A History of Japanese Americans in California: Patterns of Settlement and Occupational Characteristics, National Park Service,
https://www.nps.gov/parkhistory/online_books/5views/5views4b.htm

The California Alien Land Law and the Fourteenth Amendment, Edwin E. Ferguson, Vol. 35, Issue 1, March 1947, https://scholarship.law.berkeley.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=3652&context=californialawreview

Matsumoto, V. J. (1993). Farming the home place: A Japanese American community in California, 1919-1982. Ithaca, N.Y: Cornell University Press.

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Written by Frances Kaplan, Research Librarian at California Historical Society

Monday, April 22, 2019

Curating Overland to California: Commemorating the Transcontinental Railroad

When I set out to curate a visual history of the railroads in California, the majority of the materials I found had been produced by the railroad companies themselves. From brochures and guidebooks to stereographs and playing cards, it would seem that the visuals of the railroad infiltrated every corner of American life in the nineteenth and early twentieth century. As it happens, the Central Pacific and Southern Pacific—the two largest railroad companies in California at this time—were expert self-promoters, relying on images to publicize their companies and promote their growing lines.

California for the Tourist, Southern Pacific Company, 1910
But if using images for marketing seems like an obvious move today, it was a novel one in the nineteenth century. In 1865, the Central Pacific Railroad Company became the first US corporation to hire a full time staff photographer, purchase negatives, and build a corporate photographic archive—practices that are ubiquitous today. In Overland to California, I wanted to show how companies like the Central Pacific used images to obscure their corporate corruption and use of violent labor practices, instead projecting a vision of their company as ethical, stable, and modern. In so doing, they set a precedent for corporate marketing that continues in the present.

Poetry and Prose, Scene at Monument Point, North end of Salt Lake, Alfred Hart, 1869
At the same time, I didn’t want to give these companies the last word. As such, I made sure to include images made by the people who worked on or lived alongside the railroad, at a time when photography was becoming newly accessible and affordable for the average American. What follows is a sampling of works from the exhibition Overland to California, currently on view at the California Historical Society. Together, these images and objects tell a story of corporate corruption and promotion at the turn of the twentieth century, while also providing a visual history of those who resisted their hegemony.


Building the Loma Prieta Railroad, Photographer unknown, 1882
Railroad Bridge near Gold Run from The Central Pacific Railroad: A Trip Across the North American Continent from Ogden to San Francisco, Nelson's Pictorial Guide-Books, 1870
Indian Viewing R.R. from top of Palisades, 435 miles from Sacramento, Alfred Hart, c. 1869
Great trans-continental tourist's guide, George A. Crofutt and Company Publishers, 1871
Loading Boxes of Sylmar Brand Olive Oil onto Freight Cars at the Olive Growers Association, Putnam & Valentine, c. 1905
Central Pacific Rail Company Stock Certificate, Central Pacific Rail Road Company, 1861
Men at Site of Rail Car Accident, Photographer unknown, c. 1900

Man and Dog Sitting in Front of Railroad Stop Crossing Sign, Photographer unknown, c. 1900

Overland to California: Commemorating the Transcontinental Railroad and Mark Ruwedel: Westward the Course of Empire will be on view through September 8, 2019.
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Written by Natalie Pellolio, Assistant Curator at California Historical Society 

Monday, April 1, 2019

Railroads Public Programs Preview: 5 Not-to-Miss Exhibition Related Events at CHS


With each new exhibition comes a flurry of public programs designed to help guests dive deeply into the core concepts within them.  Each exhibition provides new opportunities for conversation and interaction between our audiences and our organization, the exhibitions, and each other.  In order to better understand the final programmatic product let’s go back a bit and share how we design our exhibition-related public programs.

Around six to eight months before an exhibition opens, departments from across CHS sit down and discuss the exhibition and its core concepts. The curator(s) will present on the conceptual framework, key themes, and topics. Staff have the opportunity to pose questions as well as provide suggestions and insights. The Public Program Manager (me) then begins drafting program ideas to present to curators in a follow-up meeting. During that follow-up meeting, drafted ideas begin to harden and afterward I am able to begin reaching out to speakers and partners, further developing those ideas based on what the speakers’ expertise is and how they envision their place within the event. The collaborations between partners, speakers, and CHS staff are integral to the vibrant final product.

On March 21st, we opened two complimentary exhibitions, Mark Ruwedel: Westward the Course of Empire and Overland to California: Commemorating the Transcontinental Railroad. Below is a brief rundown of some of our upcoming exhibition-related programs. We hope that you mark them on your calendar, as they are not to be missed!

Thursday, April 4th, 6:00PM
Empire’s Tracks: Indigenous Nations, Chinese Workers, and the California Railroad

Professor of American Studies at Barnard University, Manu Karuka, will present on his new book Empire’s Tracks while focusing on indigenous experiences in relation to the transcontinental railroad. He and Professor of American Indian Studies at San Francisco State University, Joanne Barker (Lenape), will be in conversation about indigenous history and counter sovereignty. A book signing will close the event. Learn more.



Thursday, April 18, 6:00PM
Chinese and Chinese American Genealogies and the California Railroads
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Wednesday, July 24, 6:00PM
Labor Strikes and Fights and the Transcontinental Railroad

In 1969, during the 100th anniversary of the transcontinental railroad, Chinese American communities and descendants of railroad workers felt a disconnect and articulated that there was a lack of focus on their ancestors’ history and contributions. This year, during the railroad’s 150th anniversary, organizations and individuals from across California will be highlighting the important contributions of Chinese and Chinese Americans to the building and maintenance of the railroads.

CHS will be hosting several events to honor this important history, the first being on April 18th with presentations by Al Cheng, Grant Din, Sue Lee, and Paulette Liang. They will focus on how and why Chinese and Chinese Americans are seeking to find their connection to this work, examples of individuals who have found genealogical connections, as well as those who have sought out but did not find a connection. Learn more.


The second event will be held July 24th and focuses on key labor battles which involved Chinese railroad workers, including the historic eight-day strike in 1867. Gordon Chang and Lawrence Shoup will present on this event and other important labor battles in celebration of Laborfest, which occurs each July.

Wednesday, May 15th, 6:00PM
Exploring the Gilded Age in California and its Reverberations Today

On May 15th we will explore the Gilded Age in California and its relationship to the Big Four, labor, and the railroads. How has the Gilded Age influenced what California is today? Learn more with moderator, William Frances Deverell (USC), panelists Richard White (Stanford), Margarite Shaffer (Miami University), Barbara Berglund Sokolov (Presidio Historian), and Jack Kelly (historian and author of Edge of Anarchy). Learn more. 



Thursday, June 27th, 6:00PM
Women and Their Role on the Rails

On June 27th, we explore the role women played (or did not play) in the railroads. How did imagery of wealthy white women tell a particular story about the railroad? How were women of color and people of color generally excluded from the transportation system? Professor Amy Richter of Clark University and Julia H. Lee of U.C. Irvine will present on these questions and be available to discuss other related topics after their presentations. Learn more.



As we move deeper into the summer we will add additional programs, so continue to follow our Society Happenings e-newsletter and check out our online calendar at my.californiahistoricalsociety.org for more information.

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Written by Patty Pforte, Programs & Visitor Experience Manager at CHS. 

Tuesday, May 10, 2016

The Golden Spike and the Golden State: Railroading in California


Joseph Hubert Becker (Artist), First Train Coming through the Central Pacific Railroad, c. 1869 (from his sketch The Snow Sheds on the Central Pacific Railroad  in the Sierra Nevada Mountains, 1869) 
Courtesy http://www.artistaswitness.com
“The angle from which you view any object, the perspective you bring to any subject, the way you perceive any issue or idea, conditions and regulates your judgment, attitude, or feeling about whatever is under observation. Indeed, everything depends on your point of view.” —Janet Fireman, “From the Editor: Point of View,” Railroaded, California History 89, no. 1 (2011) 
The story of railroads in the West is a complex stew, often fraught with contradiction, where one’s perspective of people, events, and the relative merit of a particular railroad shifts with time.

This month we note the 147th anniversary of the completion of the first transcontinental railroad, at the same that Californians grapple with the benefits—or not—of a new high-speed railroad that will link northern and southern California.