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Showing posts with label Panama-Pacific International Exposition. Show all posts
Showing posts with label Panama-Pacific International Exposition. Show all posts

Friday, February 26, 2016

CHS Honors Black History Month

Delilah Beasley, Virginia Stephens, and San Francisco’s 1915 World’s Fair

Delilah L. Beasley, Miss Virginia Stephens:
Sponsor for the Name Jewel City for the Panama Pacific International Exposition,”
In The Negro Trail Blazers of California (Los Angeles: Time Mirror, 1919)
California Historical Society, VAULT 979.403N B385
Delilah Leontium Beasley’s book The Negro Trail-Blazers of California (1919) is a classic in the field of California black history. In it she featured notable achievements of the black men and women of California, from the 1840s to the late nineteenth century.

Beasley (1871–1934) combed the California Archives in the Bancroft Library at the University of California, Berkeley, to compile her book. The nine years she spent writing it soon paid off: she became California’s first black woman to write regularly for a newspaper. She reported for the Oakland Tribune and the Oakland Sunshine, the state’s leading black newspaper.

Delilah L. Beasley (1866–1934) and Her House in Oakland
Courtesy of the African American Museum and Library of Oakland
Beasley was a so-called “race women.” She and other black women sought to “lift as they climbed." Decades before the mid-twentieth-century civil rights movement, these women organized against and tried to change the prevailing racial climate in which black Americans lived.

San Francisco’s 1915 World Fair

In 1915, Beasley was working to counteract the negative stereotypes presented in the highly controversial and overtly racist film The Birth of a Nation, which was screening in Bay Area theaters. The same year, as one of the state’s most influential black reporters, she covered the Panama-Pacific International Exposition (PPIE), San Francisco’s world fair. She interpreted for African Americans what the fair could mean for them in an era of racism and discrimination.

Racial Stereotyping in “Der’ll be Wahm Coons a Prancin,’” 1903
Sheet Music Collection, California Historical Society
Thomas Dixon, Jr., The Clansman: An Historical Romance of the Ku Klux Klan
(New York: Grosset & Dunlop, 1915)
The African American community wanted to claim a space at the fair where they could represent themselves. There was debate about having a “Negro Day,” but it never materialized. Instead the Oakland Sunshine challenged readers to turn out for “Alameda County Day” to “show to our visitors that this is our Fair and our State.” 

African Americans at the San Francisco World’s Fair, 1915
Courtesy of The Bancroft Library, University of California, Berkeley
The community rallied, throwing themselves into planning the day and showing up in droves. The Day kicked off with a parade down Market Street and onto the main fairgrounds. Among the numerous floats were several filled with black children and decorated with cherry blossoms. Beasley wrote: “The mere fact that colored children marched through the streets of San Francisco, carrying the Stars and Stripes, showed a decided advance and change of feeling toward the colored race in these parts.” For Beasely and others, this display of beautiful, healthy black children had to have in some way countered the negative stereotypes prevalent during the era and at the fair.

Virginia Stephens and San Francisco’s World Fair

In her book, Beasley emphasized the role of black women in the state’s history. Among them was twelve-year-old Virginia Stephens (1903–1986). The Oakland schoolgirl won a contest sponsored by the San Francisco Call Newspaper to nickname the fair. Her winning submission, one of 1,300 entries, was The Jewel City—a reference to the skyscraping, jewel-encrusted tower at the center of the fairgrounds.

Virginia Stephens (detail), photographed in the NAACP’s The Crisis, vol. 11, no. 1 (November 1915) 
Laura Ackley Collection
The Jewel City: Souvenir Views of the Panama-Pacific International Exposition, 1915
Laura Ackley Collection
Few people knew that Stephens was African American. As reported in The Crisis, published by the National Association for the Advancement of Colored People (NAACP), despite recognition in some local newspapers, “We regret to say that when it was discovered that Miss Stephens had colored blood there was a sudden silence on the part of the press and the only recognition ever given her was a season ticket to the grounds.”

California State Federation of Colored Women’s Clubs, 1915
Courtesy African American Museum and Library at Oakland (AAMLO)
Stephens might have remained anonymous but for the efforts of the black women’s club members who worked to influence prevailing attitudes of racial discrimination and inequality. At the fair’s Alameda County Day on June 10, 1915, they arranged for her to be crowned queen and to ride with fifty other African American children on a parade float described by the Oakland Sunshine as “a credit to the race.” Virginia Stephens went on to attend the University of California, Berkeley as an undergraduate and then BOALT law school. She was the first African American woman admitted to the bar in California and had a long career in the State Office of Legislative Counsel in Sacramento. 

Rho Chapter, Alpha Kappa Alpha, University of California, Berkeley, 1921
Courtesy AKA Far Western Region

Virginia Stephens (far left) and the founding members of the Rho Chapter (University of California, Berkeley) of the national Alpha Kappa Alpha Sorority. Seated in front is the renowned education pioneer Ida Louise Jackson, who formed the idea of establishing the chapter and served as its first president.


Shelly Kale
Publications and Strategic Projects Manager
California Historical Society

Erin Garcia
Managing Curator of Exhibitions
California Historical Society
egarcia@calhist.org

Sources

  • AKA Far Western Region, http://www.akafarwest.com/region.html
  • Alameda County Day, Oakland Sunshine, June 12, 1915 
  • “Branches and Locals,” The Crisis 11, no. 1 (November 1915)
  • Lynn M. Hudson, “‘This Is Our Fair and Our State,’ African Americans and the Panama-Pacific International Exposition,” California History 87, no. 3 (2010) 


Portions of this blog are adapted from Erin Garcia and Shelly Kale, “Bravely Useful Part”: Five Women and San Francisco’s 1915 World’s Fair, posted on December 1, 2015 on www.PPIE100.org, sponsored by the California Historical Society. 


Monday, November 16, 2015

Dashing Dungeness Dreams


The delayed start of crab season in the San Francisco Bay Area due to toxins from an algae bloom has denizens of the delicious Dungeness near tears. Late fall crab feeds are practically part of the DNA of many northern Californians.

Tuesday, October 6, 2015

City Rising for the 21st Century: San Francisco Public Transit 1915, now, tomorrow


Fageol auto train at the Panama Pacific International Exposition, San Francisco, 1915. California Historical Society, CHS2014.1807.
The 288-day Panama-Pacific International Exposition was more than a celebration of technological achievement and art.  It marked the rebirth of San Francisco after the 1906 calamity and its new global position as gateway to the U.S.’s newly acquired possessions in the Pacific after the completion of the Panama Canal.  Just rebuilt, San Francisco was also the “most modern city on Earth.” 

Thursday, July 9, 2015

Willard Worden—Photographer of the Bay Area and the Panama-Pacific International Exposition

Willard E. Worden was in the prime of his career at the time of the Panama-Pacific International Exposition (PPIE) held in San Francisco in 1915.  Worden was one of the official photographers of the Fair, and he won a medal of honor for his own work that was exhibited in the Palace of Fine Arts.  The upcoming deYoung Museum exhibition opening on July 25, The Portals of the Past:  The Photography of Willard Worden, showcases five Worden photographs from the California Historical Society collections.  Two of the images are of "Portals of the Past," the remains of the 1101 California Street home of Alban Nelson Towne, general superintendent of the Central Pacific Railroad.  Towne's home was decimated during the 1906 Earthquake and Fire.  The remnant left standing, the portico, known as "Portals of the Past," was given to Golden Gate Park by Towne's wife in 1909.  The other photographs are representative of Worden’s body of work, which focused on Bay Area locations and events, most notably the 1906 Earthquake and Fire and Chinatown.

Worden was born in Smyrna, Delaware in 1868.  He began practicing photography while serving in the Spanish-American and Philippine-American Wars.  Though not a studio portrait photographer, he opened his first photography business in Cow Hollow.  After the PPIE, Worden established a gallery at 312 Stockton Street which remained in business until the 1940s, though he appears to have ceased making photographs after the gallery opened. 

The Portals of the Past (Ruins of the Towne Residence, California Street), 1906



The Portals of the Past, Golden Gate Park, 1910





The Call, Examiner, Chronicle, Palace Hotel and Crocker buildings from Kearny Street after 1906 Earthquake and Fire




Anglo American Bank reconstructed one month after the 1906 Earthquake and Fire



Market Street decorated for the encampment of Grand Army veterans, 1903


Wendy Welker
Archivist & Librarian