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Showing posts with label Yosemite. Show all posts
Showing posts with label Yosemite. Show all posts

Monday, May 20, 2019

Behind the Scenes with Research Librarian Frances Kaplan

Recently we sat down with California Historical Society’s Research Librarian, Frances Kaplan, to discuss the rich stock of resources available to the public through the North Baker Research Library.

The North Baker Research library is a “special collections library,” can you explain what that means?
A special collections library is different from a lending library which would cover a vast range of topics. Ours is a research library where people come to do more in-depth research on collections that we have in our archives. Our focus is only California, which is bigger than a lot of places but smaller in scale than what many other libraries may cover. We house diverse collections that people can view and study to help them draw their own perspectives of the history of California.

What’s the difference between CHS’s library and a regular public library?
At a public library you generally don’t have rare materials and it’s usually a lending library, meaning they let you take the books home with you. We don’t loan out our materials because they are rare and unique. We are similar to some universities which will have a library for student use but also have special collections that focus on one area, for example the labor archives at SF State.

What does the public have access to through the North Baker Research Library?
We have more than half a million photographs as well as 35,000 books and 4,000 manuscript collections, plus maps, ephemera, posters, broadsides, periodicals, newspapers, and the Kemble Collection on Western Printing and Publishing. The bulk of our collections date from the 1860’s through the 1970’s, but we do have some very early manuscript material from when California was still part of Mexico. The public has access to everything in our vaults if they come visit during the library’s open hours. Anyone can visit the library and request to see a collection, which we will then take out of the vault for you to explore. People can also access our collection through the digital library, where we are rapidly digitizing material, and we have an online catalog which lets you see what we have and what you might want to look at when you come for an in person visit.

Can you talk a little more about the work you and the rest of the library and collections staff are doing to make our collections accessible to people who might not be able to physically visit our space?
We realize that it’s getting harder to get to San Francisco and difficult to stay here a long time, especially if you are a researcher exploring a specific topic. We want to, and are in the process of, digitizing as much of our collection as possible. The library is an intermediary between someone wanting to find information and the vaults below us where the information might be and so we want to make accessing those amazing resources as easy as possible. We do have to uphold a very deliberate process though, because the moment that we digitize something it becomes its own object that needs to be preserved and cataloged. There are also sometimes copyright and third-party rights that need to be addressed before a digital image is displayed online. Also some things you just can’t digitize, they’re too fragile, they’re oversized, or they might be thousands of pages long. So what we try to do is prioritize our digitization needs. Things that are older or more fragile need to be digitized sooner rather than later so they are handled and worn less. One example of a collection we recently digitized is the Peoples Temple collection. In this instance we felt it was necessary to digitize the photographs in the collection first, allowing people access to them immediately for research and learning purposes. That became a priority over the manuscripts materials, of which there are over one hundred boxes. The entire Peoples Temple collection is, however, open to researchers who visit our library.

Who comes to the library?
We get researchers from all over the world, we get people who are interested in their family genealogy, we get people from SF and the Bay Area who are interested in their neighborhood or their building history. We also get a lot of people from out of state or country who have a research topic in mind. We recently had a researcher from South Africa and spend a few days in our library looking over plans, drawings, and manuscripts related to water projects by a Californian who worked for a period of time in South Africa. There was also a professor from New Zealand who flew here to go through records we hold by the American Civil Liberties Union-Northern California. We also see a number of students, predominantly at the college and graduate level, but we welcome elementary and high school students as well! CHS is the source of material for lots of research that turns into books. So many of the books on our library shelves are by authors who came to the library seeking material from our collections in order to write their book. We also see a lot of documentary film makers here, as well as architectural historians, and journalists who are usually covering some aspect of local history.

How do we get our collection material?
Our original collection came from C. Templeton Crocker who, in 1922, donated his collection of rare books, manuscripts, maps, newspapers, and periodicals emphasizing overland travel, California’s transition from a Mexican province to statehood, and the Gold Rush. CHS has continued collecting with a focus on the documenting the diverse history of California.

When we acquire material to be added to our collection, it goes through a very stringent process because we want to make sure that we can take care of it, preserve it, and that it fits into our collection scope and policy.  Unfortunately, we can’t take everything and that means we do have very specific criteria for accepting things.

What is your role at the library?
I see my role as one of public service. I am part of the public face of the library and the first person people come across if they have a question they need to find an answer to, whether in person or by phone or email. I am the person that they can talk about their project with and discuss what they are hoping to find. I am able to show them how to use our catalogs or let them know more about the items they are interested in, and if we don’t have anything that meets their needs, I can let them know about what other institutions and archives might be able to help them. So it is my job to connect people to the right institution and the best place in order to find what they are looking for – whether that be the history center at San Francisco Public Library, the archives at UCSF, or one of the many wonderful special collections held at the University of California libraries or the California State University libraries. For many people, they need to go to more than one place if they want a variety of information because much of it is scattered across different archives.

Can you highlight something interesting from our archives that you’ve been working with recently?
We are constantly digitizing and cataloging and finding items in our collection that we didn’t necessarily know were there. The goal is that everything that we keep here ultimately has a description that people can see through the catalog on our website. We have a rare book cataloger, we have a manuscripts archivist, someone who works exclusively with photographs, etc.

A few items recently came to me through our rare book and printed material cataloger. He stumbled upon this pamphlet of Camp Curry in Yosemite from 1912. This is so timely, because right now we have an exhibition up about the Transcontinental Railroad, which made Yosemite easier to get to and more accessible that it is now in many ways. In the pamphlet they have a bit about how you can go by rail and then by stagecoach - “people may obtain stopover privileges on their transcontinental tickets at Merced. Then they changed to Yosemite Valley Railway or take a Pullman Car directly from either San Francisco or L.A.” So that’s how they got there in the olden days which makes it a lot more accessible in some ways than it is now.


Other things we might have had in our collection for a long time but because we have so many items, I don’t know them all. Sometimes when a researcher requests something, it’s the first time I’ve seen it. This is occurred recently and I was surprised to discover the original drawings by Donald Graham Kelley of the official California Bear design for the CA state flag. These are the original illustrations from 1952. It’s so cool because it allows you to follow the design process. You see that Kelley was commissioned by the government to create this and then you see scientific feedback on the bear figure from Tracy Storer, professor of zoology at UC Davis, based on the initial sketches that were sent over. 


Every now and then we discover material within our vaults that we didn’t realize even existed because it was hidden inside another collection. Thus was the case with this one last item I am intrigued with – it is a photographic album of images of Clark’s Waterworks from 1890-1891. This company existed before all of the other waterworks systems in San Francisco. It was a private enterprise from really early on. Clark owned a bunch of Eureka Valley and Glen Park and started his own waterworks business, damning and pumping water from that area and supplying it to the people around him, before the city owned the water systems.


We invite you to visit us at the North Baker Research Library at 678 Mission Street in San Francisco, Wednesday through Friday, 1PM to 5PM. You can access our digital library here and our online catalog here. The University of Southern California has also digitized and maintains images from our collection which can be found here.


Monday, January 7, 2019

The Legacy of Carleton Watkins

Carleton Watkins is something of an enigma. Very few letters written in his own hand survive, leaving historians and early photography enthusiasts to fill in the gaps of his life and career. This makes some of the concrete details of his life surprisingly hard to pin down. According to various sources, he is either the oldest of eight children or the youngest of five. He arrived in San Francisco in 1851…or was it 1849? Accounts of his life are filled with hedges (“1855-61: Photographed New Idrea and New Almaden mines and Mission Santa Clara (according to Turill)’’ says one chronology) and guesses. Information presented as fact may not actually be, which can make writing an account of his life (my task as Project Archivist at California Historical Society) somewhat difficult.

His name, when placed next to that of his contemporary, Eadweard Muybridge, recedes. Muybridge, an Englishman whose motion studies of Leland Stanford’s horse Occident and moving zoopraxiscope are often credited as the beginning of motion pictures, seems to get all of the glory. Muybridge was a more colorful character. He changed his name several times, from Edward James Muggeridge to Edward Muygridge to Eadward Muybridge, in what seems to be the slow and iterative perfecting of how he would prefer to be known – as if he at all times had one eye fixed on his own greatness. At one point, he signed his photographs “Helios” (“Titan of the Sun”). He murdered his wife’s lover but was acquitted for what, at the time, was considered “justifiable homicide.”

Interestingly, the differences between the two artist’s statures seem to be archival matter. Watkins famously lost the contents of his San Francisco photography studio during the 1906 earthquake, just before he was to transfer the archive to Stanford University. Tyler Green writes, “In fact, just a week before the earthquake, a curator from the university had visited Watkins…in preparation for the university’s apparent acquisition of Watkins’s archives, the first time an American university or museum would recognize a photographer’s importance in such a way.” An amazing photograph exists showing Watkins as a bearded elderly man with a cane, suit, and top hat on the streets of San Francisco shortly after the earthquake, a massive cloud of smoke visible in the background.

River View, Cathedral Rock, Yosemite [CEW 31], 1861; Carleton E. Watkins photograph collection, PC-RM-Watkins; Box 1, Folder 5; California Historical Society
  Much of Watkins’ studio was lost, including the massive mammoth glass plates used to create his famous photographs of the Yosemite Valley and other parts of the West as it was being settled. Complicating the issue is the fact that, due to poor financial decisions earlier in his career, Watkins had lost many of his original negatives to a group of creditors which required him to reshoot many of his original photographs (his “New Series” is the result of this). Watkins’ photographs are dispersed widely and held by numerous archives and private collectors around the country. Chief among these are the Bancroft Library, the Society of California Pioneers, and the California Historical Society. Perhaps unsurprisingly, Muybridge did manage to eventually transfer his archive to Stanford. In fact, Leland Stanford – a railroad baron – was Muybridge’s greatest champion and supporter, much as Collis Huntington was Watkins’. Some have suggested that this matter of the photographers’ archives is the reason that Muybridge is better known today.

Rebecca Solnit, in her book River of Shadows: Eadweard Muybridge and the Technological Wild West, also compares the two men. she writes, “In the 1860s and 1870s, landscape was a western business, but Watkins came first, and he stood alone.” Over the years, his subjects varied from mining camps to railroads and Spanish missions up and down the California coast. Watkins photographed famous artists, writers, and professors, native plants of California and the Southwest, and the newly built Mormon Tabernacle in Salt Lake City – a great dome that looks like it recently descended from space.

Watkins’s gorgeous nature photographs still stun viewers and his style is almost instantly recognizable from his beautifully composed photographs with a certain discernable focus and clarity. This is even more amazing given the incredibly labor intensive process that created them and involved a team of mules, giant glass plates, and a travelling “dark room” in a covered wagon. Still, Solnit writes: “They are radiant with a mysterious serenity.”

Nevada Fall, Yosemite [CEW 90], 1861; Carleton E. Watkins photograph collection, PC-RM-Watkins; Box 3, Folder 6; California Historical Society.  
The California Historical Society is making the entirety of its Watkins collection available for the first time, and its contents are revealed in a detailed finding aid. More selections will also soon be available on the CHS digital library. This work was made possible by Teaching California – a statewide initiative developed to bring primary sources into California’s classrooms. There are also a number of Watkins photographs (including a panorama of San Francisco) currently on view in our galleries as a part of the Boomtowns exhibition.



Bibliography:

Green, Tyler. Carleton Watkins: Making the West American. Oakland: University of California Press, 2018.

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

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Written by Erin Hurley, Teaching California Project Archivist at California Historical Society

Monday, November 28, 2016

The Halprins continue to make news

Earlier this year, the California Historical Society presented Experiments in Environment, an exhibition about the famous interdisciplinary workshops led by landscape architect Lawrence Halprin and his wife, post-modern dancer, Anna Halprin. The exhibition was presented in honor of the 50th anniversary of the first workshop the Halprins held in 1966. The work of the Halprins continues to draw attention from the media and cultural institutions around the country. 

Dance Magazine reminds us that 50 years ago, it featured a cover story (see below) about Anna Halprin and Driftwood City, a project that grew out of the workshops 




Last week, Curbed featured a terrific piece on the role Lawrence Halprin played in influencing the design of city parks and civic spaces across the country. The article was in written, in part, because of a new exhibition on Lawrence Halprin's work that has recently opened in Washington D.C. Created by The Cultural Landscape Foundation (a partner and sponsor of our exhibition) and on display at the National Building Museum, the exhibition coincides with the 100th anniversary of Halprin's birth and features, among other items, more than 50 newly commissioned beautiful photographs of his built works. 


The exhibition includes a terrific online companion. It can be reached by clicking here:. Included in the online exhibition is a link to the exhibition catalog (where the images below are sourced from).  It can be reached directly here. 


Levi's Plaza




Ghiradelli Square







 Yosemite













Friday, June 17, 2016

Yosemite: A History of Presidential Attention




Pres. Theodore Roosevelt in Yosemite Valley, Cal (1903), Photographer: Pillsbury. California Historical Society.
This Father’s Day weekend, President Obama and the first family will pay a visit to Yosemite National Park to highlight the 100th Anniversary of the National Park Service and the President’s efforts to preserve natural resources, according to a release from the White House. President Obama is the first sitting President to visit the park since John F. Kennedy did so in 1962, over 50 years ago.

Prior Presidential visits to Yosemite included Franklin D. Roosevelt in 1938, William Howard Taft in 1909, and Teddy Roosevelt in 1903 (see above). The trip so impressed Teddy Roosevelt that it ultimately led to the expansion of Yosemite and Roosevelt establishing five other national parks, among many of his other conservation efforts. 

Interestingly, Yosemite may have received its most important attention from a President who never visited. On June 30, 1864 President Abraham Lincoln signed the Yosemite Land Grant which marked the first federal act to protect wild lands for the enjoyment of people and the first California State Park.  In honor of the 150th anniversary of the signing of this Act, the California Historical Society created Yosemite: A Storied Landscape, a major public history initiative that included a powerful exhibition, eBook, and related program series. (CHS's current exhibition, Experiments is Environment—about the famous collaboration between Anna and Lawrence Halprin in the 1960s—is also connected to Yosemite, as Lawrence Halprin was inspired by the Sierra Mountains in his design of the Yosemite Falls Approach.)


As noted above, President Obama is using his trip to highlight the Centennial of the The National Park Service. The NPS was established in 1916 after a group organized by Stephen T. Mather and Horace M. Albright gathered at UC Berkeley in 1915 (on the sidelines of the Panama-Pacific International Exposition) to plan a future for the existing and evolving national parks in the country. (Last year, UC Berkeley celebrated the Centennial of its role in creating the national parks system with a major symposium.) 


"I want to make sure that the whole world is able to pass on to future generations the God-given beauty of this planet," Obama said in a Facebook video announcing next week's trip. The visit will certainly serve as an example of respecting our public lands and, more importantly, preserving legacy.


The California Historical Society has been celebrating the Centennial of the National Park Service with a series of essays on national parks in California. Read more from the "Mirror of Us" series below:

Sarah Lee
Intern

California Historical Society

Tuesday, March 15, 2016

Naming Yosemite

Camp Curry, date unknown
California Historical Society
Times change—and names change with them. Today the National Park Service is in litigation over concessionaire Delaware North’s renaming of historic properties in Yosemite National Park. Each of these names—The Ahwahnee, Curry Village, the Wawona Hotel, Yosemite Lodge at the Falls, and Badger Ski Pass Area—has historic meaning to the park and to millions of visitors. 

Naming Yosemite dates to 1851. In that year Lafayette H. Bunnell, a member of the Mariposa Battalion—which “discovered” Yosemite Valley when it was sent to forcibly remove the native population from the area—suggested they call the site “Yosemite” after what he thought was the name for the local Indians.

James Hutchings, In the Heart of the Sierra
Published Oakland, California: Pacific Press Publishing House, 1888

California Historical Society
The name stuck, but the translation changed over time: first to “a full-grown grizzly bear” from the northern and central Miwok dialect and as recently as the 1960s to “some of them are killers,” a southern Miwok description of the Paiute tribe. 

Below we remember Yosemite’s historic names—side-by-side with the new—with images of these beloved places from the California Historical Society Collections.

The Ahwahnee / Majestic Yosemite Hotel
The Ahwahnee (detail), pamphlet, 1970
California Historical Society
The human history of Yosemite began about 6,000 years ago, when indigenous populations came to the Yosemite Valley. By the beginning of the nineteenth century, the Ahwahneechee tribe had lived there for generations with little contact with non-natives. They called the valley Ahwahnee. 

As Kerry Tremain, creator of the award-winning eBook Yosemite: A Storied Landscape, has observed, the architects and artists who designed the Ahwahnee Hotel, built in 1927, “reflected the values of their social set, which stressed the conservation of nature and a broader acceptance and curiosity toward other cultures.” Taking the Ahwahneechee’s name for Yosemite Valley, The Ahwahnee also honors the Native American culture in its interior, with native-inspired mosaics and basket designs.

The Ahwahnee: Situated in the Yosemite National Park, pamphlet, date unknown
California Historical Society
Curry Village / Half Dome Village

Camp Curry, date unknown
California Historical Society
In June 1899 former Indiana schoolteachers David and Jenny “Mother” Curry opened Camp Curry, Yosemite’s first affordable lodging. For $2 a day, visitors were provided with food and lodging in one of the camp’s seven tents. 

As daughter Mary Curry Tressider recalled, “The seven tents grew during the first season to twenty-five and the number of guests reached almost three hundred, which was considered a very good beginning. . . . Each guest seemed to take a personal interest in the young concern and it was by their personal recommendations to their friends that Camp Curry—as the camp came to be called by its neighbors—had its immediate and steady growth.”

Yosemite Road Guide, 1923, and Camp Curry brochure, date unknownCalifornia Historical Society
In 1970 Camp Curry changed its name to Curry Village. Today’s complex includes cabins, lodge, store, dining facilities, and post office.

Wawona Hotel / Big Trees Lodge
George Fiske, Wawona Hotel, Wawona, Mariposa Co. Cal., date unknown
California Historical Society

In early 1856, Galen Clark, who later became Yosemite’s first Guardian, built a small cabin on the west end of a meadow near the Merced River’s South Fork. The cabin, called Clark’s Station, soon attracted travelers to the region. Later known as Clark and Moore’s (1870) and Big Tree Station (1875), the lodging was eventually named Wawona, from the Southern Miwok name for the Evening Primrose, Wawo’na, whose seeds were part of the native diet.

Wawona Hotel Brochure, 1923
California Historical Society
From its inception, the Wawona, a Victorian-era lodge at Yosemite’s southern entrance, nourished our national and regional histories. Thomas Hill, a nationally famous landscape painter, established a studio there, which he ran during the summers from 1886 to his death in 1908. Regionally, the hotel played a significant role in the areas of transportation (routes into the part), commerce (as a major resort hotel), and conservation (through Galen Clark’s Guardianship).

Yosemite Lodge at the Falls / Yosemite Valley Lodge
Yosemite Lodge, pamphlet, date unknown
California Historical Society
The history of Yosemite Lodge at the Falls begins in the early 1900s, when the U.S. Cavalry, acting as the park’s rangers, established a post in Yosemite Valley in 1906. From Camp Yosemite they administered the supervision and protection of the park. To accommodate the influx of visitors—many of them anticipated for San Francisco’s 1915 World’s Fair—in 1915 the army camp was converted to lodging facilities. The camp’s largest building, Fort Yosemite, became Yosemite Lodge, a complex of cabins and tents. 

By 1916, the army had been relieved of its stewardship. That year, Yosemite was incorporated into the newly established National Park Service. In the early 1920s, the Yosemite Park and Curry Co. became the park’s concessionaire, and in 1956 The Lodge, as many called it, was renovated, enhanced by a gift shop, post office, swimming pool, grill, and cafeteria. A flood in 1997 destroyed half the original buildings and led to a redesign of the complex. In the mid-2000s, the Lodge was renamed Yosemite Lodge at the Falls to capitalize on its proximity to Yosemite Falls, the park’s highest waterfall and one of its key attractions.

Badger Pass Ski Area / Yosemite Ski & Snowboard Area
Ski Instructor Nick Fiore and an Advanced Class on a Ski School Slope, with Badger Pass Ski House in the Background, date unknown
California Historical Society
At the south rim of Yosemite Valley along Glacier Point Road is the Badger Pass Ski Area, a 282-acre winter sports facility. Conifers line its north-facing mountain peaks and lead to a protected meadow below. These features brought about the area’s establishment as a winter recreational location and its historic significance as one of California’s earliest developed downhill ski areas. 

Allegedly named by a stage coach driver who saw a badger while resting his horses at the pass, Badger Pass Ski Area became home to the Yosemite Ski School (established in 1928) in 1935, when a ski lodge also was erected on the site.

Yosemite Winter Sports at Yosemite Ski School, Badger Pass, date unknownCalifornia Historical Society

From the 1930s through the 1950s, Badger Pass Ski Area was a center of professional and amateur downhill ski competitions in California and the United States. Today it is one of three ski areas with lifts operating in a National Park, providing both downhill and snowboarding activities. 

Here at CHS headquarters in the former enclave known as Yerba Buena we understand that names change—and times change with them.

Shelly Kale
Publications and Strategic Projects Manager
skale@calhist.org

Sources
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From the California Historical Society and 36 Views, with the Yosemite Conservancy
The Award-Winning eBook Yosemite: A Storied Landscape


Cover art by Thomas Killion
Winner of the Digital Book Award’s Best Cover Design

Yosemite: A Storied Landscape

Created by Kerry Tremain of the award-winning digital publisher 36 Views

Published in conjunction with the exhibition Yosemite: A Storied Landscape (June 29, 2014 – January 25, 2015), this enhanced eBook tells stories of Yosemite in words, pictures, videos, and interactive graphics and games that restore freshness, energy, fun, and intimacy to one of the most beloved places on earth. Part of the celebration of the 150th anniversary of the Yosemite Grant—the landmark preservation legislation that created the park—Yosemite: A Storied Landscape is filled with utterly surprising, funny, poignant, tragic, and revealing tales from America's first park.

For more information about the eBook and how to purchase it, visit http://www.californiahistoricalsociety.org/publications/ebooks/ and http://www.yosemitestories.org/.

Twenty percent of your purchase goes to support the Yosemite Conservancy.

CHS members: download free eBook, info@calhist.org

Monday, February 22, 2016

A Mirror of Us: CHS Celebrates the National Park Service Centennial

At Mirror Lake, Yosemite Valley, 1911
California Historical Society, CHS2016_2088
This summer, on August 25, the National Park Service turns 100 years old. Over the course of this Centennial year, the California Historical Society will celebrate the state’s significant contribution to “America’s best idea” by digging into our collections and sharing what we find with you.

From Redwood National Park in the north to Joshua Tree in the south, California’s parks are as varied and diverse as the population of the Golden State itself. The oldest, Yosemite, was established in 1880; the youngest, Pinnacles, graduated from monument to park just three years ago, on January 10, 2013.  

Each California park has its own kind of beauty and all are a reflection of the society into which they were born.

In other words, both literally—as in the photo above—and figuratively, they are a mirror of us. We hope you enjoy the reflection.

Sunday, January 10, 2016

The Sierra in the City: Lawrence Halprin and Levi’s Plaza

Levi’s Plaza Fountain, 2015
Courtesy of Alison Moore
In 1973 Levi Strauss & Co. left its cozy quarters at 98 Battery Street in San Francisco for the bold, upright world of the new Embarcadero Center, a series of four skyscrapers located near the city’s waterfront. Within a few years, however, Chairman of the Executive Committee Walter Haas, Jr. began to feel that all was not right. “The highrise at Embarcadero Center was not our style,” he recounted in an oral history, “I’d get in the elevator and people didn’t know me, and I didn’t know them.”

Tuesday, September 29, 2015

Yosemite—Protected Wilderness


Yosemite Valley from Tunnel View at Midday, 2013; photo by David Iliff, Creative Commons License
On October 1, 1890, President Benjamin Harrison signed legislation establishing the country’s third national park at Yosemite. Congress had recognized Yosemite as worthy of protection since 1864, when in the midst of the Civil War it granted the magnificent and awe-inspiring Yosemite Valley and “the Land embracing the Mariposa Big Tree Grove” to the State of California “inalienable for all time.”