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Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

Monday, June 17, 2019

The Transcontinental Railroad, African Americans and the California Dream

A pivotal moment for the era and a monumental industrial infrastructure achievement in the history of the United States, the transcontinental railroad completion in 1869 had a profound effect on American life which changed the nation forever. It was a revolution which reduced travel time from the east to west coasts from months to about a week, and at less cost than previous overland and by sea options, that open economic and cultural opportunities for the possibilities of the movement of people and goods. It opened California, other parts of the U.S., and the Pacific World to more travelers, tourists, emigrants, and settlers.

A settler colonialist and imperialist project, corporate and military organization hosted imported (mostly from China) laborers who were paid low wages to plow across and lay the tracks through indigenous people’s sovereign nation lands to connect the distant colony of California to become a vital part of the U.S. continental empire. The railroad companies produced pamphlets and magazines to recruit whites from the U.S. and Europe to settle in California and the West, and those who wanted to explore the Western landscape from the comfort of the modern railway car. Although not thought of as part of the audience for this promotion, African Americans would also learn and benefit from what the transcontinental railroad could offer.

Before, during and after the transcontinental line’s construction, in southern states, thousands of enslaved and then freedmen worked on the railroads grading lines, building bridges, and blasting tunnels. They working as firemen shoveling coal into the boiler riding alongside the engineer, and as brakemen and yard switchmen. They loaded baggage and freight, and sometimes drove the train. Even with racist resistance to blacks as they migrated to northern states that rose after the Civil War, the new freedmen joined their northern brothers in the few jobs like these mentioned which were open to them.

The post-Civil War years into the early decades of the twentieth century, black men gained employment on the transcontinental railroad, most often as Pullman Company’s Palace Car porters and waiters, helping to define American travel during the railroad transportation era. These Pullman porters, as they were called, made “porter” synonymous with “Negro,” and provided glorified servant work as valet, bellhop, maid, and janitor for luxury sleeper cars used for overnight travel. Pullman cars were like or better than the best of America’s hostelries of the era, only on wheels.

Paid low wages, Pullman porters had to make money in tips from the public to survive and thrive, which they unquestionably accomplished. These men worked long hours and faced routine racial discrimination, abuse and indignities. The exploitative working conditions were imposed by management supposedly to incentivize black employees to provide the best service, compliancy in following orders and resistance to unionization, and to intimidate them to be grateful for their jobs. Scholarly studies showed in the 1920s, the Pullman company hired the most African Americans in the U.S. and the porters were one of the worst exploited workers in the country. But even under these conditions the job did have life changing benefits.

Pullman porter jobs offered stable blue collar employment, the adventure, glamour and education of travel to many places, and escape from hard physical labor on the farm or in the factory. Interaction with more intelligent classes in the travelers who Pullman porters meet and served, and the information gained from these people and the publications they left behind on the trains, informed them about what was going on in the broader world. Porters passed this knowledge and publications on to their families and the black communities they passed through in their travels around the country.

Between 1867 and 1969, thousands of African American men changed history as they rode the nation’s railroads as Pullman porters. They were an example of upward mobility for black males during the nation’s railroad transportation era. They spread the word of higher wages and improved circumstances which helped energize the Great Migration of nearly 500,000 southern African Americans who moved to the North between 1915 and 1919, and those who followed in later decades during the twentieth century to western, as well as northern cities. They created the first labor union for African Americans, the Brotherhood of Sleeping Car Porters (which also included the maids) in 1927, and helped build the 1950s–1960s phase of the civil rights movement.

California had its share of African American men who worked as Pullman porters and in other railroad jobs who migrated from southern states to its railroad hub cities during the late nineteenth and early twentieth centuries. They, like many African Americans, would have been attracted by California’s admittance to the Union as a free state in 1850, and the freedoms and opportunities this extended over the years. A history of less racially motivated violence and harassment directed towards African Americans was also an encouragement for migration to Los Angeles and other western cities. The opportunity for their children to attend public schools and the state’s 1893 anti-discrimination law were other factors which made California an enticing destination for new life opportunities.

John Wesley Coleman (1865–1930) worked as a Pullman porter for 12 years, after migrating with his family from Austin, Texas to Los Angeles at the time of an economic boom in 1887. An entrepreneurial clan, he and his relatives bought land and settled in Boyle Heights, a newly subdivided area just east of Los Angeles’ downtown and the river. They were some of the earliest African American settlers in Boyle Heights.

John Wesley Coleman and his family arrived in Los Angeles in 1887 from Austin, Texas and settled in the Boyle Heights District east of downtown. One of his early jobs in Los Angeles was working as a Pullman Porter, before he became a successful real estate investor, employment agent, and important civic leader. Photograph from The Negro Trail Blazers of California by Delilah Beasley, 1918.
Before and sometimes while Coleman worked as a railroad porter, he used his skill set and resources to take advantage of several employment and business development opportunities in his years of becoming an established Los Angeles citizen. By 1907, after ending his traveling around the country serving and meeting all types and classes of people as a Pullman porter, Coleman began one of his most enduring business endeavors. He opened an employment agency in downtown Los Angeles where he helped many African American newcomers find jobs.

Enormously successful in getting people employment up and down the Pacific coast, some observers in the African American media called Coleman the ”Employment King of Los Angeles.” Over the years, he also would accumulate and sell valuable regional real estate on his own and with relatives, and be a part of other business ventures such as the Hotel Coleman DeLuxe which provided services to primarily an African American clientele at Lake Elsinore, a resort town in Riverside County.

Among Coleman’s many significant civic leadership undertakings was in helping establish and support the Forum, founded in 1903. This organization encouraged collective action to advance and strengthen African Americans socially, intellectually, financially, and in Christian ethics. With a membership of all African American classes, the Forum fought against racial discrimination and engaged in philanthropic efforts. They supported black business development and patronage. They urged white-owned businesses and the government to employ African Americans in non-menial positions. Lasting until the 1940s, the Forum was one of the most important organizations in the history of African Americans in Los Angeles as it helped them develop a sense of community through providing a space for public discourse, civic organizing, political dialogue, and aided newcomers to network and assimilate into Los Angeles society.

While working as a Pullman porter, Arthur L. Reese (1883–1963) first traveled to Los Angeles and its environs. On a layover in 1902, he read in the newspaper about a new amusement pier and resort town construction by pioneering developer Abbot Kinney in an area to be called Venice of America on the Pacific Ocean’s Santa Monica Bay, just south of the city of the same name. Looking toward the future, Reese was interested to develop his own business and rode out on the streetcar to Venice to investigate what opportunities might be available for him with Abbot Kinney and his new venture. Soon after this, on his returned to Louisiana, Reese quit his railroad porter job and then moved to Los Angeles.

Arthur L. Reese discovered Los Angeles and Venice, California were he eventually moved, while on a layover from his Pullman Porter job in 1902. After moving to the region in 1904, Reese eventually became recognized as the “Wizard of Venice” due to the inventive decorations he designed for the Venice-of-America amusement center.(Photograph collage from the Arthur L. Lewis Family Archives)
Reese eventually established successful service oriented businesses which supported the needs of the Santa Monica and Venice business and residential community. Alongside his own business endeavors, he would become head of maintenance and decorations for the Kinney facilities and be very actively involved in Venice civic affairs with local business and other groups. Reese’s business operations would eventually extended into Los Angeles, and Lake Elsinore in Riverside County where he was part of a business partner in the Lake Shore Beach grounds, a resort site for African Americans. Over the years, Reese supervised a work force of a few dozen people which included several of his relatives who he inspired to migrate to California from Louisiana. Reese, his family members and other African Americans who worked with his and, or Abbot Kinney’s enterprises made up the early African American community which live in Los Angeles’ Venice beach community.

Like thousands of other African Americans in college, law and medical school, and other academic programs, Eugene Curry Nelson (1883–1962) spent summers working as a steamboat and railroad car waiter in the northeast U.S. In this temporary work, he earned a salary and tips which helped pay tuition and expenses for medical school and later the needed equipment for his professional office as a physician and surgeon. Born and reared in Charleston, South Carolina, he earned his undergraduate degree from Prairie View A&M University near Houston, Texas. He obtained his medical training degree from Meharry Medical School, in Nashville, Tennessee.

Dr. Eugene Curry Nelson, like so many young African American men and a few women when in college, law and medical school, and other academic programs, spent summers working on steamboats and railroad cars as waiters, porters and maids in the northeast U.S. to earn money to pay for tuition and other education. expenses. He moved to Los Angeles in 1914. 
In 1911, Nelson commenced his medical practice in Virginia, before migrating to Los Angeles in 1914, where he settled and built a practice that included patients who were African American, white, and from other racial and ethnic groups. In Los Angeles, even before the end of the Jim Crow era in the middle decades of the twentieth century, it was not uncommon for African American physicians to have patients from the varied ethnic communities of the city. This occurred even as these doctors and other African Americans were discriminated against in most other professional, employment and social settings.

By 1924, Nelson was called “one of California’s wealthiest Negroes” by Noah D. Thompson in an article which appeared in The Messenger, a nationally circulated African American monthly published by A. Philip Randolph and Chandler Owen in New York. In additional to practicing medicine, Nelson invested in several businesses in finance, real estate, manufacturing, oil, and amusement. He also held leadership roles in undertakings to promote and develop African American businesses and civic participation for individual and group benefit. In the 1920s, Nelson was part of a group of very ambitious African American businessmen who bought the white owned, Parkridge Country Club in Corona, a Riverside County community, to operate as an interracial space of recreation and for a new African American community development in Southern California’s Inland Empire.

Coleman, Reese, Nelson and others who worked as Pullman porters and waiters exemplified the “New Negro” determined to achieve fuller participation in American society in a hostile white world. Along the way, these men helped give birth to the African American professional classes. The transcontinental railroad line offered them new opportunities for employment, broader knowledge about the U.S. for their personal betterment and that of their community. It facilitated the ability of Coleman, Reese, Nelson and many other African American men and their relatives to migrate to Los Angeles to live their California Dream of new life opportunities in a mild climate and sublime landscape.


Bibliography
Jefferson, Alison Rose. Living the California Dream, African American Leisure Sites during the Jim Crow Era. Lincoln: University of Nebraska Press, in press.

Tye, Larry. Rising from the Rails, Pullman Porters ad the Making of the Black Middle Class. New York: Owl Books/Henry Holt and Company, 2004.

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Written by Alison Rose Jefferson, MHC, PhD.

Monday, November 26, 2018

10 California shipwreck sites that can still be seen today!

Of the photos in our newly opened exhibition, Boomtowns: How Photography Shaped Los Angeles and San Francisco, one of the images I find most striking is a mammoth plate panorama by Carlton Watkins documenting the San Francisco Bay from Nob Hill. Beyond the growing neighborhood of clapboard homes stretching out from the photographer’s foreground, we are able to view the low lying intertidal area that is now San Francisco’s Embarcadero. Several wooden schooners are anchored just offshore, likely moored after voyages across the Pacific, up from Cape Horn, or south from Alaska.

Those anchored ships are what strike me most about the image; they serve as the most tangible indicator of how far technology and transportation have evolved since the photo was taken. However, through all of that evolution, seafaring has remained beholden to the whims of the ocean and its conditions. Throughout history, fog, large swells, storms, and navigational errors regularly contributed to vessels wrecking themselves on California’s beaches, cliffs, and unanticipated offshore rocks. While some of these wrecked ships were salvaged or stripped, many still remain in place. Below is a list of ships, many en route between California’s largest ports in San Francisco and Los Angeles, that can still be viewed along California’s coast. These sites are best visited at very low tides when the wreckage is most exposed, and, as always, please use caution when exploring unfamiliar marine environments.

1. SS Monte Carlo, Coronado Island, San Diego County:
The 1920s oil tanker was converted into a floating casino. In its heyday, the Monte Carlo floated off of Coronado Island, taking advantage of a legal loophole that allowed for gambling and prostitution so long as the ship was moored at least 3 miles off shore in international waters. A storm on New Year’s Day in 1937 ripped the ship from its mooring, depositing it on Coronado Island. Given the illicit nature of the ship, no one laid claim to it, and the Monte Carlo hasn’t moved since!

2. SS Dominator, Palos Verdes Peninsula, Los Angeles County:
The freighter was traveling to Los Angeles from Vancouver with a cargo of wheat and beef. Never making it to the port, Dominator ran aground on the Palos Verdes Peninsula on March 13, 1961. Due to large surf and challenging weather, the Coast Guard was unable to pull the ship off the rocks and the crew were forced to abandon the stranded vessel. Dominator can be viewed at the base of the Palos Verdes Estate’s cliffs at low tide.

3. La Jenelle, Silver Strand Beach, Ventura County:
Built in 1931, the 400-foot cruise liner was on the market to be sold when a storm buffeted the ship ashore at Silver Strand Beach in Oxnard in 1970. After leaving her to sit for several weeks, the US Navy decided to remove the top of the ship and fill La Jenelle with rocks to provide an extension to the end of the Port Hueneme breakwater.

4. SS Winfield Scott, Anacapa Island, Ventura County:
The steamship was owned by the Pacific Mail Steamship Company, one of the two primary steamship companies connecting the East and West Coasts during the California Gold Rush. Winfield Scott left San Francisco bound for Panama on December 1, 1853 loaded with over 300 passengers and $1 million in gold. The captain, Simon Blunt, decided to travel through the Santa Barbara channel to save time. However, dense morning fog disoriented Blunt and lead him to prematurely steer the ship south east. Windfield Scott crashed into a rock lying off Anacapa Island at full speed and sustained 2 holes to the bow. Passengers and crew were forced to abandon ship and camp on Anacapa for a week before being rescued. The Winfield Scott now lies in shallow water off the island in the Channel Island National Marine Sanctuary, and over the years several sets of treasure seekers have searched the ship for gold and other valuable metals.

5. Barge, Salinas River National Wildlife Refuge, Monterey County:
A barge was blown ashore in a 1983 storm. After the owners were unable to remove the ship, it was left to rust on the beach. The barge is fully exposed on the beach, and it can be accessed by walking 1.5 miles north from the Salinas River National Wildlife Refuge.

6. The Sir John Franklin, Ano Nuevo State Reserve, San Mateo County:
The clipper ship was headed to San Francisco when it became emerged in heavy fog and crashed into rocks on January 17, 1965. The collision destroyed the ship and killed the captain and 11 crew members. The crew members were buried at the adjacent beach, which is now known as Franklin’s Point. In 1980, dune erosion led to the exposure of the buried sailors and archaeologists from San Jose State and Sonoma State Universities subsequently excavated the burials. The researchers discovered the remains of other burials, indicating the fatal history of ships grounding themselves at Franklin’s Point. Today, you can visit a platform located at the end of the point and take in the perilous rocks.

7. King Philip, Ocean Beach, San Francisco County:
The clipper ship was dragged into the surf line at Ocean Beach in January of 1878. The ship has remained in place since then, being battered by constant heavy surf. Surprisingly, it is still possible to view the wreck at a low tide and when storms have shifted sands off of the wreck. In order to view the wreck, plan to visit Ocean Beach at a minus tide and plot these coordinates into your phone or other GPS device: 37.751517, -122.509846. 


8. The Lyman A. Stewart, Ohian, and Frank H. Buck, Land’s End, San Francisco County:
The Lyman A. Stewart ran aground at Land’s End while rounding the bay entrance into the Golden Gate in 1922. The Ohian crashed nearby, north of Point Lobos and the Sutro Baths in 1936, and the Frank H. Buck befell the same fate, crashing into Land’s End in 1938. The Lyman A. Stewart and Frank H. Buck were subsequently blasted apart with dynamite, but pieces of all three ships can still be viewed from the Coastal Trail at Mile Rock Beach at Land’s End in San Francisco.

9. SS Tennessee, Mill Valley, Marin County:
The passenger ship was one of the earliest ships to run aground while trying to enter the Golden Gate, crashing into the Marin coastline in 1853. All of the ship’s passengers, and its cargo of 14 chests of gold were all saved, but the Tennessee could not be salvaged. The beach where the vessel landed subsequently became Tennessee Cove, and it is still possible to see parts of the rusting engine lying on the beach.

10. USS Milwaukee, Samoa, Humboldt County:
In January of 1917, the Navy cruiser USS Milwaukee was sent to Samoa beach, near Eureka, to rescue a Naval submarine that had run aground. Unfortunately, the Milwaukee couldn’t withstand an onslaught of wind and waves and became beached itself. The crew was all saved and the ship scrapped for parts, though some rusting parts of the ship still protrude from the water. The remnants can be found near the Milwaukee Memorial, at the intersection of New Navy Base Road and Samoa Pulp Lane.

Monday, October 8, 2018

Looking at Hollywoodland and How Photography Shaped Los Angeles and San Francisco

Here at the California Historical Society, we’ve been busy installing the upcoming exhibition Boomtowns: How Photography Shaped Los Angeles and San Francisco. Drawn from CHS’s extensive photography holdings, the show looks back at the first one hundred years of photography in San Francisco and Los Angeles to consider how the medium shaped both our impressions of these cities and the bricks and mortar of the cities themselves.

The new medium of photography arrived in California just in time to witness the state’s dramatic, and often violent and inequitable, transformation at the hands of Americans. But photographs do not simply bear witness to events unfolding before the camera: they also interpret these events and imbue them with meaning. Sometimes subtle compositional choices can convey complex attitudes and ideas. Consider, for example, this photograph of the original “Hollywoodland” sign, taken by an unknown photographer in Los Angeles circa 1924–29 (fig. 1). At first glance, it seems straightforward—an objective record of what Hollywood looked like before it was fully developed, and before the “land” was dropped from its name. But it has so much more to say.
Photographer unknown, Hollywoodland, c. 1924-29. Gelatin silver print. California Historical Society.
Let’s look closely at the composition. To make this image, the photographer was likely standing on a dirt bluff adjacent to a newly built road. This might seem like an innocuous detail, but it prompts the question: Why didn’t they shoot from a closer vantage? Why show the sign so far in the distance, with the vast valley sprawling out before them? We may never know for sure, but the viewpoint conveys a burgeoning city rife with potential for developers, industrialists, and new residents. In the foreground, the out-of-focus shrubs and undeveloped land suggest that the region is wild and uninhabited, and thus ready to be built up. At the same time, the newly built roads weaving through the frame, and the small number of impressive houses being constructed throughout, convey that the city is not without infrastructure. Come to Hollywoodland, the image seems to say, and be a part of the exciting changes already taking place.

In the 1920s, a syndicate of developers, including Harry Chandler of the Los Angeles Times, planned a subdivision in the hills above Beachwood Canyon near Griffith Park. Anticipating that the Mulholland Highway, then under construction, would eventually connect to the site, the group erected what was meant to be a temporary fifty-foot-high sign across the top of Mount Lee advertising the development. It would become, after the last four letters were removed in 1949, one of the most iconic landmarks in the world. Laborers with steam shovels graded roads connecting the neighborhood’s streets with Mulholland Drive. Photographs much like this one appeared in real estate brochures, suggesting that this picture may have been taken to appeal to developers or to sell homes.

In photography, what is not pictured can often be as revealing as what is. The perception of Los Angeles as an empty canvas required obfuscating any signs of an indigenous history, despite the fact that the region had been occupied by humans for more than ten thousand years. This myth of Los Angeles as an empty canvas is propagated by our Hollywoodland image, which suggests that these newly built houses—and the bright white sign watching over them—are the first-ever human marks on the chaparral-covered land. Similarly, the storybook homes dotting the wooded canyons, designed in the Spanish, French, and English styles, imply that Los Angeles emerged as if from a fairy tale. All of this smooths over the turbulent and often violent events underlying the region’s development, which involved unchecked violence by Anglos against Mexicans, Native Americans, and Chinese.

Belying the grotesque social realities of the day, this image would have come across as nostalgic, evoking the pastoral rusticity of an imagined Spanish past. But look closely and you can see how it, like so many other photographs in Boomtowns, reveals that nothing about the construction of California’s cities was inevitable. They were built and rebuilt by labor, force of will, profit imperatives, and the frame of the camera. We encourage you to visit this exciting exhibition in person, and see what a crucial role the camera played in building our state.

Boomtowns: How Photography Shaped Los Angeles and San Francisco runs October 12 and March 10, 2018.  

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by Natalie Pellolio, Assistant Curator, and Erin Garcia, Managing Curator of Exhibitions



Tuesday, September 11, 2018

Celebrating a California Surfing Pioneer

My Los Angeles childhood was defined by a relationship with South Bay beach culture. My heroes were the men and women who lifeguarded our local beaches, the surf legends of lore - like Greg Noll or Donald Takayama - who started their careers in Hermosa Beach, the surfers paddling out each morning at El Porto, and my neighbors, who were doing awe inspiring and insane things like kayaking the California coastline in its entirety or swimming the 22 miles from Catalina Island back to LA.

Hearing about Governor Brown’s August 20th actions making surfing California’s official state sport prompted me to remember one of the state’s first ambassadors of surfing, George Freeth. Freeth embodied all of the aforementioned heroic traits and more. Born in Honolulu, HI in 1883, Freeth was the son of an Irish sea captain father and a half Polynesian mother. He began surfing at 19, shortly after decades of Calvinist missionary influence had worked to disrupt indigenous participation in the traditional Polynesian activity. According to surf historian Matt Warshaw in the Encyclopedia of Surfing, Freeth gave a surf lesson to the author Jack London in the summer of 1907. London described his instructor as a "sea-god . . .a brown Mercury. . . calm and superb."

George Freeth, Redondo Beach

Later that year, Freeth became one of the first watermen to bring surfing to the California Coast, an attribution shared with the Hawaiian princes who travelled to Santa Cruz in the 1800s. After leaving Hawaii, Freeth travelled to Southern California, where he instructed the public on surfing, swimming, and lifesaving techniques. Freeth became California’s first professional lifeguard in 1907 and subsequently taught dozens of men, women, and children surfing and lifesaving skills. He pioneered surf breaks from San Diego to Huntington Beach, Palos Verdes, and Ventura, popularizing the sport. He is also recognized as responsible for bring the Hawaiian swim team to California for the first time. One of these visiting swimmers was the Olympian Duke Kahanamoku, who is viewed as the godfather of modern surfing.

George Freeth, Redondo, 1907

Freeth was subsequently recruited by developers like Henry Huntington and Abbot Kinney to conduct demonstrations at the Redondo Beach and Venice Piers as a marketing strategy to draw crowds to their development projects. Freeth’s demonstrations drew thousands of spectators and successfully promoted beach culture in the Southland. Once-wary beachgoers became emboldened by Freeth’s actions and the lifesaving strategies, which were responsible for protecting thousands of lives and have informed lifesaving agencies to this day.

I first learned of Freeth during a weeklong training I attended as a Los Angeles County Ocean Lifeguard, where Lifeguard Historian Arthur Verge recounted Freeth’s story. Coincidentally, several months ago, while sorting through CHS’s old issues of the journal California History, I found an image of Freeth. In a 2001 copy of the Journal, Vol. 80, No. 2/3, Dr. Verge laid out Freeth’s life history, including a daring rescue of 11 Japanese fishermen off of the Santa Monica pier. If interested, copies of this issue can be found through UC Press.

George Freeth, Hermosa Beach

Tragically, Freeth died of Spanish influenza in 1919 at the age of 35 at a military base in San Deigo; however, his legacy lives on today. Freeth’s statue stands on the Redondo Beach pier. Coincidentally, Redondo Beach also happens to be where I first taught Junior lifeguards of my own, and it remains one of my favorite places to work as a lifeguard, carrying on Freeth’s commitment to ocean safety and education.

These days, Redondo Beach and much of the coastline that Freeth pioneered would be entirely unrecognizable to the Hawaiian and his surfing contemporaries. Coinciding with the development boom of the early 20th century, developers Huntington, Kinney, and others were successful in their marketing campaigns. Southern California has now developed nearly beyond recognition. However, despite this, the spirit, tenacity, and love of the ocean still remains alive in the beach communities that Freeth first touched over a century ago.

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Greer Montgomery works as a Development Assistant for the California Historical Society. There she supports fundraising and membership efforts and also enjoys looking at historic photos of the California coastline- especially when they include waves. She is an avid surfer and continues to work as a Los Angeles County Ocean Lifeguard each summer.

Images courtesy of Matt Warshaw, Encyclopedia of Surfing

Monday, September 4, 2017

Happy Birthday Los Angeles!

A photo of Millard Sheets mural depicting the 1781 founding of Los Angeles. Courtesy of the USC Libraries – California Historical Society Collection.


Happy Birthday Los Angeles! September 4th, 1781 is recognized as the day Los Angeles was founded as a small Spanish settlementOur present in honor of the city's birth is links to pieces about the city's founding. Read more below:


Los Pobladores: Celebrating the Founding of Los Angeles

https://californiahistoricalsociety.blogspot.com/2016/08/los-pobladores-celebrating-founding-of.html 
HISTORICALLY SPEAKING—A CITY FOUNDED IN SPANISH CALIFORNIA
https://californiahistoricalsociety.blogspot.com/2015/08/historically-speakinga-city-founded-in.html
Early Los Angeles—An Afro-Latino
 Town          
https://californiahistoricalsociety.blogspot.com/2017/02/early-los-angelesan-afro-latino-town.html
 Happy Birthday, Los Angeles! But is the Story of the City's Founding a Myth?
https://www.kcet.org/shows/lost-la/happy-birthday-los-angeles-but-is-the-story-of-the-citys-founding-a-myth 

Thursday, August 31, 2017

Los Angeles Landmark with a 116-year History Reopens

(Detail) Anton Wagner (Photographer), Mexican team working at Hill and 3rd Street, 1932
Los Angeles: 1932–33 by Anton Wagner, PC 017, California Historical Society

Eighty-five years ago, Anton Wagner, a young German PhD student, photographed Mexican laborers at the foot of Angels Flight—the short railway that carried passengers up and down a steep incline to Bunker Hill, then a neighborhood of Victorian mansions, in downtown Los Angeles.

Originally built in 1901, when a ride cost a penny, Angels Flight brought millions of people to and from the shopping area of downtown Los Angeles from its location at Hill and Olive Streets. It closed in 1969, a casuality of urban redevelopment, and reopened in 1996 at a new site half a block south. This time, its use was short-lived: A fatal malfunctioning caused its closure in 2001, and it lay broken and abandoned for the rest of the decade.


Angels Flight Funicular, view from lower end, in 2004
Photo: John Sullivan
Finally, in 2010, the small railway reopened, only to be closed again in 2013 when a derailment stranded a number of passengers above a downtown street. When an investigation revealed public safety hazards, the Public Utilities Commission forced another closure.

Today, the famous funicular—one car ascends as the other descends—reopened to great fanfare, as the following images celebrate. CHS Director of Exhibitions, Jessica Hough, braved the 100-degree heat today to take a ride on the newly restored Angels Flight. She sent these images and video (see below) from today's event!







And a video on Angels Flight today!



Shelly Kale
Publications and Strategic Projects Manager
skale@calhist.org
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Anton Wagner’s 1932–33 photographs of Los Angeles are housed at the California Historical Society and may be viewed online at http://digitallibrary.californiahistoricalsociety.org/islandora/object/islandora:1015

Friday, August 4, 2017

History Keepers: Eleven Stories that Moved Los Angeles



For more than two hundred years, our community, our Los Angeles, has been molded and shaped by its people. In small ways and big, individuals impact the city, inching us collectively one way and then another. This exhibition tells eleven compelling stories that are part of our city’s complex fabric. Some are stories of promise, others are of despair.

The Sunset Limited
Courtesy of the Los Angeles Union Station Historical Society 

           Garden Court Apartments, Front Entrance, 1976 
 Courtesy of the Los Angeles Public Library

Two of them aren’t specifically about people. One is about a train with staying power, and another is about a building that despite a promising pedigree came to a violent end. But they still have something to teach us about both loss and endurance. 

Special issue of La Raza, September 3, 1970, with cover photographs by Raul Ruiz of the Silver Dollar bar where Ruben Salazar was killed
Los Angeles County Sheriff’s Department’s Records on the Homicide Investigation of Ruben Salazar, USC Libraries, Special Collections                                         


The objects on view come from university libraries, museums, and nonprofit organizations. We invited caretakers of these collections to bring forward objects and share with us the histories that they illuminate. The librarians, historians, archivists, collectors, volunteers, and local citizens who maintain these collections are the keepers of our history. They devotedly research, organize, store, and repair these items and make them available to the public in person, online, in exhibitions, and through publications.

In the retelling, these stories that have shaped our city move us emotionally in the present, helping us to understand how we got to where we are, and perhaps better see where we are going. Should we ever forget or lose sight of our past, we need only return to these primary source materials to once again illuminate our history.




Courtesy of UCLA Library Special Collections
Ruth Strout McCandless with Nyogen Senzaki



History Keepers: Eleven Stories that moved Los Angeles
August 4, 2017 – October 1, 2017
El Tranquilo Gallery & Visitor Center Olvera Street
El Pueblo de Los Angeles Historical Monument
Tuesday-Friday 10am- 3pm Saturday/Sunday 9am-4pm
Learn More

Tuesday, May 9, 2017

New Digital Collections Highlight Historic Photographs of California

Today the California Historical Society published in its digital library four collections comprising nearly 300 historic photographs showcasing stunning photos of Los Angeles at the turn of the century; Rancho Santa Anita; massive engineering projects throughout California; and volunteers mustering for the Spanish-American War in San Francisco.

These collections are now available for browsing and searching via CHS’s digital library, available at digitallibrary.californiahistoricalsociety.org. Previous collections published in the digital library include photographs of Los Angeles taken by the urban geographer Anton Wagner and a set of rare or unique maps of California.

Fremont Gate, Elysian Park, Los Angeles, Views of Los Angeles, California, PC-GS-Photographers-Los Angeles-Putnam & Valentine, California Historical Society

John R. Putnam and Carlton Valentine (Putnam & Valentine) documented the growth and development of Southern California over a fifty-year period with John R. Putnam primarily handling the photography and C. O. Valentine the business end of the company. These photographs depict landmarks such as Mission Nuestra Señora la Reina de Los Angeles, Casa de Rosas, and Elysian Park.

Parkside Transit Co., San Francisco, Chadwick & Sykes photograph albums of contract engineering projects, PC 013, California Historical Society

Chadwick & Sykes (George C. Chadwick and Frank C. Sykes) was a contracting and engineering firm located in San Francisco, circa 1906-1920s. The photographs in this collection document engineering projects such as railroad and highways. Of particular interest are photographs of the Parkside neighborhood of San Francisco.

Group portrait of men under a tree, Rancho Santa Anita, Photographs of Rancho Santa Anita, PC 008, California Historical Society

The unattributed photographs of Rancho Santa Anita (Hollister Ranch) in the San Gabriel Valley depict ranching activities, including men riding horses, roping cattle, and posing for portraits in the Ranchos environs. Also included are photographs of the painting studio of Charles Rollo Peters.

Spanish-American War, California and Oregon volunteer infantries departing to Manila, Burr-Allyne Family Papers and Photographs, MSP 717, California Historical Society.

Alice Burr (1883-1968) was just 15 years old at the start of the Spanish-American War. Her photographs show volunteers mustering at Camp Merritt in San Francisco, men departing San Francisco on troopships, and a Decoration Day parade.


CHS’s digital library and digitization projects are supported by the Hearst Foundations, California State Library, Henry Mayo Newhall Foundation, the Califa Group, Luna Imaging, Steve Silberstein, and David Rumsey. Institutional support is provided by San Francisco Grants for the Arts, Sherwin Williams, and Pillsbury Winthrop Shaw Pittman LLP.

Friday, April 21, 2017

Los Angeles State Historic Park: Grand Opening of an Urban Oasis

  
Los Angeles State Historic Park Grand Opening Poster, 2017
Courtesy Los Angeles State Historic Park

Saturday—sixteen years since its establishment and after three years of renovation—is the grand re-opening of the Los Angeles State Historic Park, also known as Cornfield Park. As downtown Los Angeles redevelops, we recall the cultural, historical, and environmental history.of the park, now 34 acres with 1,500 trees, picnic areas, grassy hills, and wildlife habitat just off of Los Angeles's Chinatown neighborhood.
 

Aerial view of a swollen Los Angeles River showing the Southern Pacific Shops and its Alhambra Avenue Roundhouse, Los Angeles, 1938 -  CHS/USC

It was the site of an abandoned rail yard in downtown Los Angeles. Historically, it is where Spanish explorer Gaspar de Portola crossed the Los Angeles River and camped in the area of Yanga (or Yan-gna), a Tongva village. In 2001, it was targeted to become an industrial center. 

But other visions prevailed: make the site—between the river and Chinatown—an urban oasis.

Site of Not a Cornfield, c. 2005
Courtesy Wikimapia

In 2005, artist Lauren Bon acquired a $2 million grant for her “Not a Cornfield” project. Corn seeds from the trains of the Southern Pacific’s River Station year had resulted in their sprouting, and Bon turned the cleaned-up deserted railroad yard into an actual cornfield as a living sculpture.

Steve Rowell (Photographer), Not a Cornfield, 2005
Copyright © Not a Cornfield


California State Parks then took over, after 35 community, environmental, civil rights, civic, and business organizations successfully convinced the state to purchase the site for a park. Los Angeles Historic State Park opened in a small part of the park in 2006. The area was closed to the public in 2014 for the complete development of the space. Construction was intended to be complete in 2015, but drought and budget concerns along with the discovery of trace contaminants in the soil pushed back the timeline until today's opening.

LASHP Master Development Plan Phase I, 2011
Courtesy California Department of Parks and Recreation


Los Angeles State Historic Park, 2012
Courtesy KCET


Los Angeles State Historic Park, 2012
Courtesy, Curbed Los Angeles


Los Angeles State Historic Park, 2017
Courtesy of Los Angeles State Historic Park

Shelly Kale
Publications and Strategic Projects Manager

Sources

James Brasuell, “Full Cornfield Park Project Finally Moving Forward,”Feb. 27, 2012;

http://la.curbed.com/2012/2/27/10393512/full-cornfield-park-project-finally-moving-forward

 

Robert Garcia, “L.A. State Historic Park: A Deserted Railroad Yard is Transformed Yet Unfinished,” February 23, 2012; https://www.kcet.org/history-society/la-state-historic-park-a-deserted-railroad-yard-is-transformed-yet-unfinished

 

Carren Jao, “Field of Dreams: The Cornfield Throughout Los Angeles History,” April 14, 2017

 

LASHP Master Development Plan, http://www.parks.ca.gov/?page_id=26953

 

Not a Cornfield historic photographs; https://www.flickr.com/photos/19618570@N00/sets/986813/



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Saturday, March 25, 2017

Los Angeles Counterculture: Human Be-ins and Love-Ins

Bruch H. Cox (photographer), “Couples dancing amongst crowd at love-in held at Griffith Park, Los Angeles, Calif.,” July 24, 1967
Courtesy Los Angeles Times Photographic Archive, Department of Special Collections, 
Charles E. Young Research Library, UCLA

The year 1967 was a ground-breaking year for California’s counterculture movement, with Be-ins/Love-ins; sex and drugs; peace and love; rock and roll and anti-war protests.

The year first exploded in San Francisco: On January 14 a “Human Be-in” was held at Golden State Park, attracting national media attention and putting the Haight-Ashbury counterculture on the map. Tens of thousands of people arrived to hear the Grateful Dead, Big Brother, Timothy Leary, among others, speak and perform. As the Los Angeles Times noted in its 2007 article “‘Human Be-In’ begat the ’60s’ Summer of Love”: “In many ways, the ’60s as we know them began Jan. 14, 1967.”

That same day, about 400 miles south, a Human Be-In simultaneously occurred in Los Angeles. As one blogger recalls:
The first of the Griffith Park Be-ins or Love-ins just seemed to happen: 500 youths gathered around the Griffith Park Merry-Go-Round, the iconic carousel that inspired Walt Disney in the early 50s to create Disneyland. It was a simple affair; the music was someone's guitar or someone else's transistor radio, and unlike the tens of thousands who, on the same date, attended San Francisco’s Human Be-in, the L.A. affair was pastoral and carried with it a sense that maybe, finally, the clash of cultures, the frenzied reactions by the city and the LAPD, had finally waned.”
One attendee remembers:
Los Angeles was a great place to be in 1967. I made the natural transition from beatnik to flower child. The sit-ins to protest the escalating war in Vietnam led to the first Human Be-Ins, held simultaneously in San Francisco and Los Angeles. I was in attendance at the Be-In in Griffith Park and felt a part of the whole scene—the music, the free-spirited people, the psychedelic clothing and general good vibes. 
Jerry Hopkins, “Human Be-In in the Park,” The Los Angeles Free Press, January 20, 1967
Courtesy Los Angeles Free Press Archives
http://losangelesfreepress.com/2017/01/the-tribes-gathered/

Both the Los Angeles and San Francisco Human Be-Ins were planned together informally, the Los Angeles Free Press noted. “This marked for the first time this city’s public parks have been used for such a unique function, long a custom in cities like New York and San Francisco,” the paper reported. In posters advertising the event during the previous week, “people had been asked to bring ‘the color gold, incense, flowers, and pictures of your favorite guru. . . . Many distributed incense and flowers all afternoon. They also exchanged cookies wrapped in colorful paper, tangerines, African thumb pianos, sandwiches, bells, and dozens of trinkets and amulets.”

The idea caught on, and this first Los Angeles Be-In soon led to others. Here’s a look back at some of them.

February 25, 1967 Griffith Park


Poster, Human Be-In #2, 1967
Courtesy http://10-am.blogspot.com/2017/01/human-be-in.html

Crowds at Los Angeles’s second Be-In were far greater than the first. “Approximately 5,500 people are in attendance and enjoy a continuous stream of bands throughout the day-long event,” including the Doors, according to the Doors Interactive Chronological History. As Simon Rycroft  notes in “Global Undergrounds: The Cultural Politics of Sound and Light in Los Angeles, 1965–1975,” “. . . the music festival was proclaimed by some as a new development for the city, a turning point in the local politics of dissent from the city’s characteristic form of theater of cruelty to the theater of love.”

Easter Sunday, March 26, 1967
Griffith Park

Easter Sunday Love-In, Griffith Park, Los Angeles, March 26, 1967
Courtesy The Original Glen Buxton 

Another one of the city’s first large "Love-Ins" (which many hail as the most successful to date in early 1967) that helped establish a pattern of weekend Love Ins and Be-Ins that would continue until the early 1970s was held on Easter Sunday, March 26, in Griffith Park. As the West Coast Fog notes: “Beginning as impromptu Human Be-Ins over by the Greek Theater and Fern Dell, these pretty-much word-of-mouth gatherings were getting larger and larger and were moved to bigger areas like Elysian Park and the other side of Griffith Park by the merry-go-round. This one was the biggest one yet.”


Elysian Park "Love-In" March 26, 1967
Source: http://lahistory.tumblr.com/
Additional pictures for the event can be seen here and the poster for the event can be seen below:

Poster, Easter Sunday Be-in, 1967
Courtesy West Coast Fog; http://www.westcoastfog.com/west-coast-branch/

A BBC reporter covering L.A.’s hippie culture observed: “In Griffith Park Los Angeles, hippie tribes gather 20,000 strong for a Love-in. The new waves come bearing beads and blossoms and bells, looking for a new experience and new magic, wandering the woods like children of the children’s crusade, leaving only a trace of gentleness in their wake. . . . For the Love Generation, it’s just the beginning. Their numbers grow, their philosophies spread. If you can stand, or understand, this flowering segment of the younger generation, there’s little point in getting cross and calling it names. . . there’s no point at all in just wishing it would go away. You will go away first.”

May 30, 1967
Griffith Park 

Griffith Park Love-in, May 30, 1967
Courtesy Kent Kanouse

The peaceful nature of the Be-Ins and Love-Ins would give way to an era of protests and violence, and some attendees were arrested at a July Be-In. As thousands of youths flooded into Los Angeles, Rycroft writes, “an uneasy alliance between the city’s Hells Angels and the countercultural community was forged, causing problems with the police and resulting in a near riot at the July Be-In. . . . Eventually, the violence heralded the end of the Love-In era in L.A. . . . Even the global, tribal, and unifying phenomena of the Be-Ins as they were grafted onto the city seemed affected by the different character of L.A.’s underground community.”

Meanwhile, just as the Human Be-In and the media around it helped spread the influence of the counterculture through California and the United States, its impact was also being felt on the West Coast across the border in Vancouver where several hundreds hippies descended on the city's Stanley Park. This week, the Vancouver Sun looked back at that event here. And in New York City, more than 10,000 gathered in that city's famous Central Park.


Shelly Kale
Publications and Strategic Projects Manager
skale@calhist.org

Sources

  • Erik Bluhm and Paul Gammage, West Coast Fog blog, “West Coast Branch,” July 28, 2013; http://www.westcoastfog.com/west-coast-branch/ 
  • Steven M. Finger, “The Tribes Gathered . . . ,” January 19, 2017; http://losangelesfreepress.com/2017/01/the-tribes-gathered/
  • Lisa Leff, “Human Be-In' begat the ‘60s’ Summer of Love,” Los Angeles Times, January 14, 2007
  • A BBC Reporter uncovers the underground Hippie Culture in Los Angeles during a "Love In," https://gaming.youtube.com/watch?v=b97_9YMBebY&list=LLn6jMLs6giLyZWQgcHTTEIA 
  • Nancy Mehagian, Siren’s Feast: An Edible Odyssey (New York: Open Road Integrated Media, 2014)
  • Simon Rycroft, “Global Undergrounds: The Cultural Politics of Sound and Light in Los Angeles, 1965-1975,” in The Place of Music, eds. Andrew Leyshon, David Matless, George Revill (new York and London: The Guildford Press, 1998)